I know I'm late on the news bandwagon about this. However.
This article and especially
this column makes me rethink my reaction to Farenheit 9/11 just a bit. Now I'm angry at both the Bush administration AND Michael Moore for his alleged misrepresentation of what appeared in the Bloomington, Ill. PantagraphStill, I'm interested to see how Mr. Moore
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I guess it helps, though, if you look at Moore's film as a work of fiction meant (by an artist) to inspire a certain feeling about something, the way most any art functions, you know? The problem being that Moore's movie is a lot more likely than other art to be taken absolutely literally, and I assume (though I don't know for certain) that there are a lot of errors throughout the work, anyway.
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