Prompt Post: ROUND THREE

Jun 13, 2011 12:17

ROUND THREE IS CLOSED

<< ROUND TWO | ALL ROUNDS | ROUND FOUR >>

Rules post.

Flat view.

Updates Post (WIPs only)

Fills Post (completed Fills only)

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r3, comm:prompt

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Gen or Charles/Erik: Childhoods and Cain. anonymous June 20 2011, 00:16:50 UTC
From the film:
[as they all looking at Charles's family home]
Sean Cassidy: This is yours?
Charles Xavier: No. It's ours.
Erik Lehnsherr: [sarcastically] Honestly Charles, I don't know how you survived. Living in such hardship.
Raven: Well, it was a hardship softened by me.

In comic canon, Charles' childhood was a little less idyllic than the others seem to think. So, someone finds out something wasn't right, whether it's a blatant revelation or the uneasy sense that Something Just Wasn't Right in the Xavier household. Dramatic or subtle, one person or everyone, from psychic projection or something material - totally up to authoranon.

(Bonus for not overshadowing Erik's own past; there really isn't much that can compare to the Holocaust. This is more just for recognition that Charles, while certainly privileged in a lot of ways, really wasn't in others.)

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Re: Fill 2: couldn't swallow, couldn't get to sleep. (1b/?) anonymous June 30 2011, 23:14:34 UTC
ooooh, i LOVE this beginning! can't wait for more.

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OP anonymous July 1 2011, 00:17:01 UTC
Mind another fill for this? Dude, hardly, and this one's already looking like it's going to be awesome.

The implications of the first paragraph are striking, come to think of it. So is this one:
Erik might be happy in spite of himself and so, naturally, he assumes that Charles--soft, privileged Charles, with his delicate accent and his sweet naivite--must be happy too.

Breakfast at Tiffany's made me laugh and also wonder if you're making a parallel here somewhere, except I haven't seen the movie for years so I couldn't guess, so I could be wrong, so just ignore me.

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Re: Fill 2: couldn't swallow, couldn't get to sleep. (1b/?) anonymous July 2 2011, 19:29:32 UTC
Really excellent start!

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Re: Fill 2: couldn't swallow, couldn't get to sleep. (1b/?) echo_fangirl July 3 2011, 00:00:56 UTC
Loving this so much!

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Re: Fill 2: couldn't swallow, couldn't get to sleep. (1b/?) twelve_pastels July 3 2011, 02:42:26 UTC
Oh my GOD THIS. THIS SO HARD.

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Re: Fill 2: couldn't swallow, couldn't get to sleep. (1b/?) anonymous July 4 2011, 08:19:55 UTC
There's never enough fills for Charles' childhood. NEVER ENOUGH.

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Re: Fill 2: couldn't swallow, couldn't get to sleep. (1b/?) irishburnett July 6 2011, 04:48:22 UTC
I need more of this! BAD.

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Re: Fill 2: couldn't swallow, couldn't get to sleep. (1b/?) anonymous July 6 2011, 15:54:26 UTC
This is great so far! Hope you return to it, it's very intriguing so far.

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Re: Fill 2: couldn't swallow, couldn't get to sleep. (1a/?) nagasasu June 30 2011, 22:48:42 UTC
That first paragraph is brilliant opening and hook. Heck, this whole 1a, portion is an excellent hook. I love how smugly proud Erik is of Charles, and how he's finding friends and family and - WAFF~

And Charles, when he looks around the table at his students, his friends, his family-- / He smiles so brightly, it almost hurts to look at.
OMG, this section. It almost hurts to read, but it's perfect. <3

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Fill 2: couldn't swallow, couldn't get to sleep. (2/?) anonymous July 7 2011, 19:23:06 UTC
Erik holds onto the information for a week, exactly. Mulls the name over and over like its single syllable could be an answer to--what? He doesn't even have a question. What would he ask? "Charles, your sister is being crazier than usual. Why is that?"

And Raven is. She hasn't spoken to Erik properly in the week, and she keeps looking at him, these darting little glances like she's just waiting for him to explode. Her trips to the foot of his bed come to an abrupt halt and once--only once, fortunately--they run into each other in the hall outside the kitchen and Raven honest-to-God skitters away from him ( ... )

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Re: Fill 2: couldn't swallow, couldn't get to sleep. (2/?) anonymous July 7 2011, 20:29:04 UTC
Oh, Raven.
I love the way Erik gets suspicious and starts wondering about Charles *bites nails*

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OP anonymous July 7 2011, 20:31:18 UTC
FFFF, you're building this up well. I did a mental happy dance to see this bit.

(Although to be fair, I'd assume there wouldn't be servants there while he's training mutants, after all. But yeah, still wouldn't seem like the type to know all the details of running the mundane parts of a household.)

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Re: Fill 2: couldn't swallow, couldn't get to sleep. (2/?) anonymous July 7 2011, 22:42:51 UTC
Echoing the OP, the slow rising of the tension and suspicion is fantastic. I'm finding myself feeling the same sense of dread Erik is becoming aware of.

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Re: Fill 2: couldn't swallow, couldn't get to sleep. (2/?) anonymiss731 July 8 2011, 02:40:34 UTC
Oh dear god....this is one of those moments were you'd sacrifice vast amounts of blood to a pagan god to get this completed immediately. *breathes and tries to be patient* This is so good. I'm not even that concerned with shipping its that good. *claps and bows*

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Fill 2: couldn't swallow, couldn't get to sleep. (3/?) anonymous July 8 2011, 04:39:21 UTC
The thing is, looking at this house--this beautiful, beautiful triumph of architecture and the almighty dollar--it's hard to believe children ever lived here. That's what it is, in the end. It's a brilliant structure and the gold fixtures make Erik's blood sing sometimes, but.

It's cold. It's polished and precise and perfect, as if two young, rambunctious children couldn't possibly have grown up here. Erik would like to believe it's just because Charles is older now, closer to thirty than twenty. He doesn't want to be the man who would keep childish things around, does he, because it's hard enough getting Alex and Sean to listen to him, when he barely comes up to their collarbones.

But Charles is sentimental. He is a fool and an idealist and sometimes Erik wants to strangle him because he will not listen, but...a man who would open his life, his home, to complete strangers, to a stripper and a convict and a cold-blooded killer, well. That takes the sort of compassion Erik will never have ( ... )

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