Society

[3rdworldcinema]

Whatever happened to me, anyway? Well, I don’t go out. I hunt for impressive philosophical connections to origins of Auteur Theory. I sleep. I resign and then I move. When I do go out, it’s at 6PM and I’m either at Anytime ($1 drinks) or Welcome to the Johnsons ($2) with people in my speed dial. I’m trying not to spend money. I’m an aspirant

Comments

[mapman7]

Rimbaud in New York
Opening Sept 24 6-8pm
Roth Horowitz 160A E70th St.

You should come darling. It's DWs series. You know, stuff that's important to me that I've been working on for the last 5 months.

[mapman7]

what's really wonderful is that it's on E 70th.

[klingrap]

Please come see an arty and possibly offensive movie with me first! It's only $6.50 if you still have your NYU card.

[3rdworldcinema]

On Sun? well in the morning/afternoon Im busy w/ the parents

also, NYU got new IDs this year I think

[klingrap]

Oh yeah, I think the movie is at like 9 anyways. And NYU did get new IDs, those fuckers.

from the V Voice

[3rdworldcinema]

Would that some glimmer of style or originality appear in Georges Bataille's Story of the Eye, a wannabe-transgressive maladaptation of the surrealist novella, composed almost completely of three cringingly conventional, clumsily shot hardcore sex scenes. Add clunky symbolism (a man twiddles a joystick while watching freaky dancers) and clichéd stock-footage choices (human birth, the Zapruder film) and the result is relentless, pretentious tedium. Director Andrew Repasky McElhinney, who earned critical lauds for his Romero-esque A Chronicle of Corpses, appears to think this project is frightfully meaningful and audacious, but this skin-deep flick is merely art-school sophomoric, unwittingly cornball, and counterrevolutionary.

[lifenxcess]

As I good Jew, I will be at temple on Friday night. But please come to our faux Rimbaud party on Sunday.