What must it be like, to be a villain’s love interest?
To be a supporting player of a supporting player, vanishing into comic book limbo and emerging once every ten or thirty years to again play your role on the sidelines of someone else’s tragedy? What happens when writers think that your love isn’t enough, and that you need to be something else
(
Read more... )
Comments 15
Nobody can deny the cliché of having the wife/girlfriend shoulder a villain's entire redemption potential (see: "I can fix him"), but revisiting the original saga of Harvey Kent, I find there's still something fundamentally sweet about it. There's the proactivity you mention, plus the fact that by the standards of the Golden Age (and even moreso by today's), Two-Face isn't really that bad a guy. I think the only people he definitely kills are his own men, who are themselves killers.
I'm exactly the wrong age and demographic to comment on the Family aspect that 95% of writers take for granted with Gilda, but I'll do it anyways: I think the main plank that needs to be added to Gilda, going forward, is to explain why she likes Harvey as a person, not just a checkbox labeled "Spouse" (or worse, an abstract Apollo). The easiest one would be his Tireless Dedication to Justice, but Bruce already view(s/ed) him that way*, so having Gilda use it would be redundant unless ( ... )
Reply
Reply
Reply
Reply
Reply
Reply
Reply
Reply
Leave a comment