I'm laying on Sam's bed, talking to Sarah as I stare at the ceiling. I've got on a tank top and a pair of size large flannel pajama pants. They don't match. I'm practically falling out of the tank top, so I'm sort of tugging at it absently as I say whatever comes into my head.
"I need to be an unemployed degenerate or something. With a grant so
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Whatever that means.
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Speaking of cotton candy...when I hear that voice, sometimes I whisper to myself,
"Candy doesn't have to have a point, that's why it's candy."
And sometimes I listen to myself but most times I don't.
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Or, to put it a bit more seriously... I feel your pain. Granted, I'm much more of a hobby writer than you, but that only makes the instances of my unfinishing even more common, perhaps. And the idea person problem is one I fully understand.
However, it'd be remiss of me not to point out that the author through whom we met was writing unfinished projects of his own (outside of academia) for twenty-odd years before the Hobbit was published, and look how long it was after that before his next work came out? Sure, there was a little bit of cotton candy (Tom Bombadil poems, Roverandom...), but he never did finish any of those Magna Operes we see edited to a resolution in the Silmarillion.
Of course, invoking Tolkien might be more discouraging than in that light...
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You're one of the best writers I know. Possibly even *the* best. Give it a plot, make us need to know what happens next. I know at least 3 of us who will show up, and it will grow from there.
Just so you know, I didn't start with a plot. Even now, 5 chapters in, I don't have much more than a general idea of where the *current* chapter is going, much less the next one. Write a scene, figure out who the characters are, and start putting one event after another. I won't lie to you -- it can be really hard, sometimes, to figure out what's next, but I've managed it, so far, and I'm no great storyteller.
Chris.
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