That's what I ended up with on the negatives (just the end of an arm and a hand), but the lenses are so different from my film to my digital that the shots aren't the same. I'm hoping to be able to scan my negatives in. I'm getting to a point where I hate working with film. It's so unnecessarily difficult to print color film. I was done with these in half and hour after the shoot, but I spent two hours at the lab to not get a single print right earlier tonight.
oh ok and i hear you about that shit. the time you spend in the lab, vs the time you could throw down in pshop = mad annoyance at old media. another reason why i think you should be working with large format, because the ends justify the means without fail...unless you've got 20 large to throw round for one of those phase one backs
Well, once I start getting good prints with these, I'm going to get 16x20 paper to print on. I'm already working with medium format, so I can blow these up pretty fucking big.
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in the last photo i think it would work better if you couldnt see yourself crouched down in it, just an arm reaching
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That's what I ended up with on the negatives (just the end of an arm and a hand), but the lenses are so different from my film to my digital that the shots aren't the same. I'm hoping to be able to scan my negatives in. I'm getting to a point where I hate working with film. It's so unnecessarily difficult to print color film. I was done with these in half and hour after the shoot, but I spent two hours at the lab to not get a single print right earlier tonight.
Reply
oh ok and i hear you about that shit. the time you spend in the lab, vs the time you could throw down in pshop = mad annoyance at old media. another reason why i think you should be working with large format, because the ends justify the means without fail...unless you've got 20 large to throw round for one of those phase one backs
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