First of all, I have a steampunk icon now. Thank you, Rikki!
But the real purpose of this post is to muse a little on the role of secondary characters and the annoying habit they have, for me anyway, of becoming too important to leave to their fate. Anyone who's read
Checkmate by Nicki Bennett and myself will remember Javier, the older man
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You may be a little sentimental, but too nice? There's no such thing...
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I've killed characters before - not often, but a few - but they aren't usually sympathetic ones. Even the ones like Caroline in Partnership in Blood who end up damaged are still alive. Of course that's the situation Cressida will be in if I don't manage to help her: damaged but alive. I'm just not sure I can live with that ending this time. Fortunately Nicki is a genius and I think she's helped me figure out a way to use Cressida's plight to force action on the political stage in this world. We'll have to see how it plays out when I get there.
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