The light filtering into the cells dims to an orange glow, and the scent of smoke and burning meat starts to carry through the air. The doors to every cell simultaneously grind open, and the guards - those not part of the walls of the dungeons - wait to lead the prisoners down the hall and up a set of stairs worn practically ramp-smooth
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Comments 109
But the woman on the throne is enough to catch his attention, and make him forget he was sulking in the first place. He manages to stay put while she speaks, but when the circle flares to light and leaves the four newcomers standing there, he breaks away from the group and storms toward the woman, trenchcoat swirling around him.
"Did you just divert the Arch? How? And... Well, I suppose if you were inclined to answer why, you would've already explained why you kidnapped us. But while I'm asking questions, why not: who are you, and why did you take us?"
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Her eyes dart between the guards, the presumable queen, and the man in front of her as she waits. Answers would be nice, but how often can anyone really get a villain to monologue? She doubts it'll happen.
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She flickers a smile at Molly, bright and inquisitive and somehow strange on her paint-daubed face. "I won't harm one I went through so much trouble to acquire. Though it's a good choice, the veil rather than an attack."
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The smile doesn't fade as he turns back to the Oracle, just turns cold and no little bit mocking. "And what help, exactly, were you hoping we'd provide?" He glances around to the gathered prisoners - tired, bruised, and most of all, annoyed and thoroughly unimpressed for the most part. "An army, pressed into service? Is that it? Don't think it's likely to go according to plan, with this lot."
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Maybe she did, just to get cornered by Kitsune again. His stomach drops as that occurs to him, and suddenly her being here with a collar like the rest of them doesn't seem so bad.
He doesn't have to search for Mouse. The dog bounces toward him as soon as he catches Harry's scent, tail waving, and Harry smiles a little in relief, reaching out to ruffle Mouse's ears - and trying not to wince as his fingers brush the collar ( ... )
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Which, at one time he followed -- he would not be surprised if there were those weak enough here to succumb to the idea of rebellion, of fighting -- against something, anything, to put a face or name to their captors.
Snape's just too cautious to believe in so-called speech-making revolutionaries of any stripe, now.
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He doesn't actually look at Snape for long - just gives the man a quick once over before turning his attention back to trying to pick a tiny blonde out of the cluster of fae and prisoners - but the fact that he glances away doesn't seem to be a dismissal. "And... by the way? We were kidnapped out of the territory of one of the most powerful fae in the Wood, stuck in cells where the only way in or out is magic, and slapped with collars made of bone. That kind of thing kind of screams 'full of grandeur and madness' all on its own."
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"Here's hoping I don't strangle myself," she mutters, and closes her eyes. She can feel the hum of the Quakeheart - the Quakeheart, she thinks, distracted into pressing one hand against the wall and feeling a thrum like a pulse inside it ( ... )
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She hurries toward him, weaving through the group and clipping a few shoulders with hers as she passes, and catches Peter by the arm when she reaches him. At first, she looks like she might hug him, but she releases him a moment later, an almost shy smile flickering over her face.
"We have to stop meeting like this." It seems like the only time they see each other anymore is in the middle of some strange fae plot.
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