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Feb 19, 2014 18:30

Hi Bardcampers ( Read more... )

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Comments 15

wildeabandon February 19 2014, 18:47:55 UTC
*hug* Sorry you're feeling so frazzled. I've just read through the last couple of weeks worth of stuff, and I'm pretty sure there's nothing Lucy-specific that can't be sorted out at Bardcamp. The only thing that might not be fixable from there is if you have the wrong copy of Birdsong, but if that turns out to be the case I will have my Kindle with me which I won't be using, and can just download an extra copy.

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taimatsu February 19 2014, 19:04:00 UTC
I unfortunately do have the wrong copy of Birdsong, so your plan would be very helpful, thank you. (I am unimpressed that I've spend £7 on a script I can't use, but oh well.)

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taimatsu February 19 2014, 19:04:47 UTC
Thank you also for reassuring me about things-i-need-to-know. :)

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taimatsu February 19 2014, 19:13:54 UTC
Other than Birdsong am I supposed to have supplied any other script for myself?

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kerrypolka February 20 2014, 08:04:45 UTC
Absolutely! I think it's covered by Sebastian and Liz, but in bullet point form:
  • Birdsong script: Lucy will be using a copy on Sebastian's Kindle.
  • Catch-22 script: Lucy will be sharing with Mark Sn. The scripts haven't been distributed yet, they'll be at Bardcamp.
  • Catch-22 casting: Lucy has more parts now than on the original casting form. The full list of parts Lucy is playing is as follows: Daneeka's mother-in-law, Nately's mother, First Doctor, Second Investigating Officer, MP.
  • Touching people: Ask first. If you haven't read a scene (which is fine!) and anything comes up, break the scene and ask. If there is any difficulty with that (trouble switching gears, any other difficulty communicating), default to 'not touching'.

    There's something going on with Catch-22 part listings in an email I've asked Elly to forward to me so I can summarise (and possibly mark up a script for you on Friday).
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    kerrypolka February 20 2014, 13:12:41 UTC
    Thanks!

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    the_lady_lily February 19 2014, 19:34:58 UTC
    The one thing from my point of view that I need to know right now is whether you have any preferences about onstage/offstage physical contact you would like included in the reference guide I am putting together. If I don't hear anything from you before Friday morning, I will assume there's nothing you want to flag up.

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    taimatsu February 19 2014, 19:43:49 UTC
    There probably is, but I am not at all sure I can communicate those things in time for you to print. Right this minute I am sufficiently stressed and on edge that I might as well say no-one should touch me at all in any way, but that isn't actually helpful and doesn't represent what would actually be appropriate at the time.

    Besides, as my preferences are almost entirely based on individuals I am more comfortable with or less comfortable with, but I don't want to explicitly say to less-comfortable people that they are in that category, I don't understand how a printed list would work.

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    the_lady_lily February 19 2014, 19:48:09 UTC
    It's sounding as if 'please discuss any level of physical contact in advance, both onstage and offstage' is going to be the most useful thing. Is that about right?

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    taimatsu February 19 2014, 19:53:58 UTC
    Yes. I have just had a look at the relevant comment thread and I have no idea how I'm supposed to keep track of all those preferences. It's not realistic for me to do anything other than not touch anyone on-stage or off (although obv off-stage I can ask). Even if you make a list.

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