I love old stories.
This situation reminds me of the tale of Brother Rabbit. You'll hardly hear that one, and that's sad. But I understand, there are problems attached to the telling, yet the story itself is still valid. We got it from an oppressed people who brought such tales from their old lands, tales they told for generations to their children
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I immediately think of his true origins as an Amercanized version of Aunt Nancy or... Anansi. Which back when Remus was created was too broad a concept for the white folks that Remus was created for to tell the African folklore in a more contemporary style in a supposed attempt to bridge race relations.
With American Gods now on television and fast becoming part of the cultural regime to people who have never read a book in their life this is interesting times.
I'm throwing too much into the pot here, but you got my brain thinking which is a good thing.
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With perspective, I can see the wisdom of the folklore, which should be shared (didn't anyone remember the Tar Baby story when we got our paws stuck in Iraq?) stripped of the SOTS whitewashing -- while acknowledging we did dilute culture that way and should be more careful with it.
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Central GA, where he, and I lived, was the inspiration for The Uncle Remus Tales, for the plantation Tara, in Gone With The Wind...and in many ways, regardless of the outcome of the Civil War, many of the people who had been in that area for generations, white AND black, did continue to live out the social expectations of the 1840's.
Your piece was a terrific metaphor for what happened when disgruntled Georgians returned home after the war ended.
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