WHO Charles and OPEN
WHAT Nightmares.
WHERE This log takes place (probably) on the astral plane. Charles, though, is in his apartment.
WHEN Saturday
NOTES Feel free to tag into Charles' dreams at any point, or to have your characters' dreams invade his, or to come into his room and be like HEY DUDE WAKE THE HELL UP (if your character is in his
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He knows better than that.
He isn't supposed to be free.
Not yet. Not until that figure in the distance- the one he can't make himself look away from -is there to guide him through it. There's only two ways to escape Schmidt's plans for him; one leaving him nothing but a pile of ash, forgotten to all. And the other... The other he doesn't know yet. The other involves a nameless face and a wordless promise.
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Recognition is slow. Slow and painful. Something inside him is raw, bleeding, in such pain.
He kneels in front of the boy.
"Erik," he whispers.
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He can feel a wetness covering his hand, even as it slips free from the bindings to reach out for the man in front of him. The slow spread of bright red tracing its way up his arm, starting from the fingers that press against the side of Charles' face isn't his own though. It's a sign of what he knows will one day follow.
/You lied to me./
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/I didn't,/ returns Charles, immediately, reflexively, and then he reconsiders.
"You can free yourself," he says. "Why don't you?"
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"He's coming." That shadowy figure in the distance that turned him from a boy and into a weapon. His words are hissed out, his hand sliding away and smearing more of that blood across Charles' cheek. "You can't be here."
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"I would fight him a thousand more times if it meant I had you back," says Charles, tightly, combing the ropes away from Erik's arms. "I mean it. I would feel his death over and over and over again for you." I love you, I still love you, if I hadn't loved you so much I never would have--
He doesn't finish the thought.
Erik is skinny and light. He lifts the boy into his arms. "We'll find somewhere safe."
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He isn't ready to grow up yet.
"I'm safe with you, Charles. No one can touch us when we're together." His gaze is fixed on the approaching figure, the coin in his pocket is a comforting weight right then. But it's only thanks to the man holding him that he's even willing to consider this an escape. With Charles, they could do anything.
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He holds Erik close, desperately, but his fear grows with every step.
Finally, he pauses.
"Erik," he says, "Erik, I need you to trust me. You have the power to get us both somewhere safe." As soon as he says this, he believes it. Of course: this was the answer all along. Charles is too weak to save everyone. Erik can. Erik always could. "Close your eyes and we can escape."
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"Don't leave me here." His words a mumbled against Charles' shoulder, his eyes finally sliding shut to lock out Shaw's image. it's meant to be just the two of them. Alone. Even once they go to England and get their next set of orders, it's still the two of them against the world. It's all he wants.
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They are.
Alone, that is. Alone someplace different, in the ruins of a cathedral after a bombing attack. Some of the rubble still smolders.
Charles pulls Erik under a stable overhang.
"We can hide here." His fingers run through Erik's hair. There's blood, matting and tangling. He curls up next to him. "We escaped back to the Blitz, it seems."
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He doesn't move though, despite his feelings being all too clear. He wants to tear each and every plane flying overhead apart again. He wants Charles to crush the pilots minds in to nothing. He wants them gone, in every possible way. But he isn't ready to leave their makeshift safe haven just yet.
Curling his own arm tightly around Charles, he forces his attention across to the other boy instead. "We've stopped this."
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"The war's over, Charles. It's your turn to close your eyes."
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His fingers hook in Erik's shirt; he rests his head on Erik's shoulder.
"I love you," he whispers, and he closes his eyes.
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They're in a familiar office now, empty, and locked with a little more than just the usual bolt. They aren't meant to be there, but Charles is the only one with the power to stop him these days, with words alone. Erik doesn't waste time in heading toward the overly plush couch, tugging Charles along with him. Outside the room are the sounds of people still celebrating, despite just how late it is. The war has been over for days; their fight is done with for the time being. But for the two of them, he knows they aren't finished yet. This is just a reprieve ( ... )
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