Very...very cool. It was great to see Julian's perspective. I actually wrote that play, "In the Meantime," back in college. But yeah, in retrospect, while it was a lot of fun, the narrator really was a little too much. :)
LOL. Not my best work on this one either, but an awful lot to recap (Btw, giving credit where credit is due, thanks for the write-up of the ambush. Made Julian-izing it so much easier.)
Yah, I have to figure that when it comes to things like theatre, Julian's perspective is rather jaded. Between Venice, Florence, education in England, time in Paris and St.Petersberg and Berlin ... well, I figure that Julian's seen enough theatre to have a rather large wealth of information as to what works for him and what doesn't. 'Course I can see where the role of "Narrator" in a piece like "INTO THE WOODS" would work for him since the character becomes the sacrifical lamb in the third act. I think he'd find that divine providence somehow. LOL
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Yah, I have to figure that when it comes to things like theatre, Julian's perspective is rather jaded. Between Venice, Florence, education in England, time in Paris and St.Petersberg and Berlin ... well, I figure that Julian's seen enough theatre to have a rather large wealth of information as to what works for him and what doesn't. 'Course I can see where the role of "Narrator" in a piece like "INTO THE WOODS" would work for him since the character becomes the sacrifical lamb in the third act. I think he'd find that divine providence somehow. LOL
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