Hullo again all ^_^ Gosh, two posts in a month, never were such days. Anyway, I'm considering moving mostly over to Dreamwidth - or at any rate setting myself up a journal over there from which I can poke around a bit and get used to the place, in case of future migration - and I'll be importing the contents of this journal over there. I'm also
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I am now hugely regretting not have noted down my favourite lines, because I was too wrapped up in the action - it's a new translation, better than the ones currently available, IMO (unfortunately my German's fairly bad, so I can't read it in the original). I wish someone would produce The Danton Case!
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Gahhhh, oh god, this is the other reason I didn't spam the hell out of your blog yesterday, I knew it'd come out ABSURDLY CRITICAL AND NEGATIVE, when I actually enjoyed the play a lot and fangirled the hell out of adorable Camille and the epic amounts of hugging and general nuzzling in the prison scenes :D Just that I have more to say about the things I wanted to pick holes in, as always. Other things I loved included Collot (whoa, never thought I'd say that), the gorgeous gorgeous set and lighting, ROBESPIERRE'S GREEN COAT YAY (though not the stripey one, woe), the fact that an analogy to do with whores can apparently be introduced into any piece of revolutionary rhetoric or repartee (this has now become a favoured game amongst my friends), and the fact that several thousand people have now sat through a really dense dramatisation of a key bit of the Revolution :D
Also, oh God, yes, I wish someone would produce The Danton Case :D (Pref. someone who's not Wajda and has at any rate a ( ... )
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BUT YES. Oh God, they were so cute in that scene.
Anyway, I had a point. Or something. I am so pleased that you've seen it, I was feeling the lack of fellow fans to squee/critique with (in no way mutually exclusive positions, for me at least). Probably the bit that most surprised me was the weird lack of any real agonising on Max's part over Camille's death. There were, what, two lines devoted to it? Not much more than that. Just him saying 'Not Camille', or whatever it was, and then the bit about everyone leaving him. WHAT WHERE IS THE BELOVED SCHOOLFRIEND DEATH ANGST. I didn't get any sense of their closeness...I know it's partly the play's own orientation (all that bit about Camille having been the only one to speak to ( ... )
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