Masterlist
I've never been very good at keeping track of my work, but I finally cracked and tried to put together a masterlist of all the fanfiction I've written over the years. This isn't even close to complete, but here it is, in any case.
KISS KISS BANG BANG
Sunshine State. Harry + Perry. PG-13. 7,690.
Perry and Harry are hired to tail a truant teen heartthrob.
Untitled. Perry, Harry. PG-13. 581.
Lost on the road, Harry tries to have a heart-to-heart with Perry.
Untitled. Perry, Harry. G. 264.
Perry has a proposal for Harry.
THE MIGHTY BOOSH
Anywhere But Here. The Driver/Mr. Smith (Mint Royale). NC-17. 1,399.
Still lying low after their robbery, two crooks find a way to pass the time. Sequel to Thieves Like Us.
Happy Returns. Howard/Vince. PG. 4,324.
A terrible fate will befall Vince on the eve of his next birthday, unless he can find the one person who can lift the curse.
Notes from the Underground. The Driver/Mr. Smith (Mint Royale). NC-17.
Set pre-bank job, Mr. Smith runs into a seductive little confidence trickster.
Parts: One, Two & Three, Four & Five, Six, Seven, Eight
Proxy. Howard/Mystery Guest. R. 748.
After his rejection in “Party,” Howard drowns his sorrows.
Thieves Like Us. The Driver/Mr. Smith (Mint Royale). NC-17. 896.
The thing about being a bank robber is, you take what you want, and that includes saucy get-away drivers . . . Followed by Anywhere But Here.
Seeing Hands. Noel/Julian. NC-17. 1,329.
On tour again, Julian begins to feel that the end is inevitable.
"Subterranean Sex Slave Stab Up," et al
Subterranean Sex Slave Stab Up. Howard/Vince. PG-13. 4,585.
When Howard quits the band for the last time, Vince decides to try to make it big in Hollywood . . . Only it’s beginning to look like his first film is also going to be his last. Followed by It Sometimes Rains in Southern California.
It Sometimes Rains in Southern California. Howard/Vince. PG-13. 1,785.
After the events of Subterranean Sex Slave Stab Up, Vince and Howard spend a few days in Disneyland. Confused snogging ensues.
The Main Thing. Howard/Vince. NC-17. 4,423.
Vince finally gets to show Howard his appreciation for being rescued from certain death. It is almost, but not quite, entirely unlike what Howard expected. Sequel to It Sometimes Rains in Southern California.
Watershed. Noel/Julian (RPS). PG-13. 1,374.
In June, 2007, half the country is underwater, and they are writing.
Wish You Were Here. Noel/Julian (RPS). NC-17. 1,273.
While on tour with IAMX, Noel gives Julian a call . . .
PIRATES OF THE CARIBBEAN
3 Norrington Vignettes.
Three little Norrington-centric vignettes.
The "Atonement" arc
Atonement. Jack/Norrington. PG.
Jack receives an unexpected visitor in the East India Trading Company's prison.
The Crux of the Matter. Jack/Norrington. PG-13.
Jack decides the Commodore needs things put plainly for him. Sequel to " Atonement."
Deliverance. Jack/Norrington. R.
Jack Sparrow comes to make good on his promise to Norrington. Sequel to " The Crux of the Matter."
The Lost City. Jack/Norrington. PG-13.
Jack’s search for a fabled map leads him on an adventure that may mean more than he ever bargained for. AU.
Parts: One, Two, Three, Four, Five
Ruse de Guerre. Jack/Norrington. PG-13.
There is something James Norrington wants so badly it aches . . .
SHERLOCK
Eight Days a Week. Sherlock/John, Moriarty, Bill Murray, Mycroft. NC-17. 24,169.
When a handsome consultant shows up at the office, John thinks his biggest worry is being made redundant. Little does he know, things are about to get a lot more complicated. AU casefic.
Parts: One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten, Eleven, Twelve, Thirteen, Fourteen, Fifteen, Sixteen, Seventeen
Epicure. Sherlock/John. PG-13. 1,656.
While Sherlock doesn’t particularly care what he eats, food matters to John, and therefore - like all things that matter to John - it is also of interest to Sherlock.
Last Words. Sherlock, John. PG. 1,990.
In this, like in everything else, Sherlock has to have the last word.
Lazarus, Rising.
Sherlock/Pushing Daisies fusion.
Resurrection, and the Life. John, Sherlock. PG. 882.
As Sherlock’s falling, he realizes that something’s gone wrong. Luckily, John has a trick or two up his sleeve. "Pushing Daisies" fusion.
The Start of Life. Sherlock + John. R. 801.
As it turns out, actually dying changes his plans very little. Still, his new circumstances are not without complications. "Pushing Daisies" fusion.
Magic for Beginners.
Magicians AU.
Conjuration. John, Sherlock. PG. 1,277.
In which Sherlock is a stage magician and John is a plant.
Exposure. John, Sherlock. PG. 1,346.
This is the story of how Sherlock got his start as a magician.
The Spring. John, Sherlock. PG. 925.
John asks Sherlock to explain a card trick.
Rhetorical Analysis.
Interpretive Failure. Sherlock/John. NC-17. 2,646.
Sherlock thinks he's being perfectly clear. John might not agree.
A Problem of Basic Logic. Sherlock/John. NC-17. 2,977.
John thinks he knows what Sherlock wants, but there's a flaw in his reasoning.
SUPERNATURAL
Game Theory. Dean/Castiel, Ellen. NC-17. 3,232.
Dean decides it’s high time he put the moves on the hot nerdy dude who keeps coming into the Roadhouse. AU.
The Golden Hum. Dean/Castiel. PG-13. 4,394.
Another 5.03 missing scene -- Dean tries to show Cas a good time, Cas makes a confession.
Illocutionary Force. Dean/Castiel. PG-13. 1,709.
It’s not the words that matter, but the meaning behind them.
I'll Write You a Postcard, I'll Send You the News. Dean/Castiel, Sam. PG-13. 3,461.
Dean told himself, “Live through this, and you won’t look back.” But he does.
Land
There is no land but the land. Dean/Castiel. NC-17.
Sam has a plan to avert the Apocalypse and Dean has a secret admirer. Castiel isn’t particularly pleased on either count.
Parts: One, Two
At that Tower of Babel they knew what they were after. Sam, Castiel. PG. 1,091.
Castiel looks after Sam while he dries out. They talk about some stuff, but mostly what Sam notices is what they don’t talk about. Missing scene from "There is no land but the land."
A branch of coral flame. Dean/Castiel. PG. 703.
Even now that it’s all over, Dean can't quite convince himself it's real. Epilogue to "There is no land but the land."
Or an Absence Of. Dean/Castiel. R. 3,387.
Castiel uses a somewhat unorthodox method to convince Dean to accept his destiny.
The River. Dean/Castiel, Sam. PG-13. 3,546.
Dean has doubts. Castiel doesn’t.
There must be something that remains. Dean/Castiel, Sam. NC-17.
A year after his brother's death, Dean's trying to put the past behind him. But when Castiel shows up at his doorstep, Dean starts to realize that the past isn't quite as buried as he thought. AU period casefic.
Parts: One, Two, Three, Four, Five, Six, Seven, Eight
Ye who are weary come home. Dean/Castiel, Henrikson, Zachariah, Sam. R. 22,747.
When a murder investigation leads Detective Dean Winchester to an isolated religious settlement outside of town, his life becomes inextricably entwined with the one man who may be able to help him solve the case. AU casefic.
Parts: One, Two, Three, Four
VERONICA MARS
Dinner. Cliff, Keith. PG. 793.
A visit with Keith is always a pleasure, especially since Marses have a better cable package than Cliff could ever hope for. Follow up to " Waiting."
Lately. Logan/Weevil, Veronica. NC-17.
Years later, Logan runs into Weevil when he returns to Neptune.
Parts: One, Two, Three, Four
Waiting. Keith, Logan. PG.
A little "Veronica Mars" character study, very short. Followed by " Dinner."
KISS KISS BANG BANG
Sunshine State. Harry + Perry. PG-13. 7,690.
Perry and Harry are hired to tail a truant teen heartthrob.
Untitled. Perry, Harry. PG-13. 581.
Lost on the road, Harry tries to have a heart-to-heart with Perry.
Untitled. Perry, Harry. G. 264.
Perry has a proposal for Harry.
THE MIGHTY BOOSH
Anywhere But Here. The Driver/Mr. Smith (Mint Royale). NC-17. 1,399.
Still lying low after their robbery, two crooks find a way to pass the time. Sequel to Thieves Like Us.
Happy Returns. Howard/Vince. PG. 4,324.
A terrible fate will befall Vince on the eve of his next birthday, unless he can find the one person who can lift the curse.
Notes from the Underground. The Driver/Mr. Smith (Mint Royale). NC-17.
Set pre-bank job, Mr. Smith runs into a seductive little confidence trickster.
Parts: One, Two & Three, Four & Five, Six, Seven, Eight
Proxy. Howard/Mystery Guest. R. 748.
After his rejection in “Party,” Howard drowns his sorrows.
Thieves Like Us. The Driver/Mr. Smith (Mint Royale). NC-17. 896.
The thing about being a bank robber is, you take what you want, and that includes saucy get-away drivers . . . Followed by Anywhere But Here.
Seeing Hands. Noel/Julian. NC-17. 1,329.
On tour again, Julian begins to feel that the end is inevitable.
"Subterranean Sex Slave Stab Up," et al
Subterranean Sex Slave Stab Up. Howard/Vince. PG-13. 4,585.
When Howard quits the band for the last time, Vince decides to try to make it big in Hollywood . . . Only it’s beginning to look like his first film is also going to be his last. Followed by It Sometimes Rains in Southern California.
It Sometimes Rains in Southern California. Howard/Vince. PG-13. 1,785.
After the events of Subterranean Sex Slave Stab Up, Vince and Howard spend a few days in Disneyland. Confused snogging ensues.
The Main Thing. Howard/Vince. NC-17. 4,423.
Vince finally gets to show Howard his appreciation for being rescued from certain death. It is almost, but not quite, entirely unlike what Howard expected. Sequel to It Sometimes Rains in Southern California.
Watershed. Noel/Julian (RPS). PG-13. 1,374.
In June, 2007, half the country is underwater, and they are writing.
Wish You Were Here. Noel/Julian (RPS). NC-17. 1,273.
While on tour with IAMX, Noel gives Julian a call . . .
PIRATES OF THE CARIBBEAN
3 Norrington Vignettes.
Three little Norrington-centric vignettes.
The "Atonement" arc
Atonement. Jack/Norrington. PG.
Jack receives an unexpected visitor in the East India Trading Company's prison.
The Crux of the Matter. Jack/Norrington. PG-13.
Jack decides the Commodore needs things put plainly for him. Sequel to " Atonement."
Deliverance. Jack/Norrington. R.
Jack Sparrow comes to make good on his promise to Norrington. Sequel to " The Crux of the Matter."
The Lost City. Jack/Norrington. PG-13.
Jack’s search for a fabled map leads him on an adventure that may mean more than he ever bargained for. AU.
Parts: One, Two, Three, Four, Five
Ruse de Guerre. Jack/Norrington. PG-13.
There is something James Norrington wants so badly it aches . . .
SHERLOCK
Eight Days a Week. Sherlock/John, Moriarty, Bill Murray, Mycroft. NC-17. 24,169.
When a handsome consultant shows up at the office, John thinks his biggest worry is being made redundant. Little does he know, things are about to get a lot more complicated. AU casefic.
Parts: One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten, Eleven, Twelve, Thirteen, Fourteen, Fifteen, Sixteen, Seventeen
Epicure. Sherlock/John. PG-13. 1,656.
While Sherlock doesn’t particularly care what he eats, food matters to John, and therefore - like all things that matter to John - it is also of interest to Sherlock.
Last Words. Sherlock, John. PG. 1,990.
In this, like in everything else, Sherlock has to have the last word.
Lazarus, Rising.
Sherlock/Pushing Daisies fusion.
Resurrection, and the Life. John, Sherlock. PG. 882.
As Sherlock’s falling, he realizes that something’s gone wrong. Luckily, John has a trick or two up his sleeve. "Pushing Daisies" fusion.
The Start of Life. Sherlock + John. R. 801.
As it turns out, actually dying changes his plans very little. Still, his new circumstances are not without complications. "Pushing Daisies" fusion.
Magic for Beginners.
Magicians AU.
Conjuration. John, Sherlock. PG. 1,277.
In which Sherlock is a stage magician and John is a plant.
Exposure. John, Sherlock. PG. 1,346.
This is the story of how Sherlock got his start as a magician.
The Spring. John, Sherlock. PG. 925.
John asks Sherlock to explain a card trick.
Rhetorical Analysis.
Interpretive Failure. Sherlock/John. NC-17. 2,646.
Sherlock thinks he's being perfectly clear. John might not agree.
A Problem of Basic Logic. Sherlock/John. NC-17. 2,977.
John thinks he knows what Sherlock wants, but there's a flaw in his reasoning.
SUPERNATURAL
Game Theory. Dean/Castiel, Ellen. NC-17. 3,232.
Dean decides it’s high time he put the moves on the hot nerdy dude who keeps coming into the Roadhouse. AU.
The Golden Hum. Dean/Castiel. PG-13. 4,394.
Another 5.03 missing scene -- Dean tries to show Cas a good time, Cas makes a confession.
Illocutionary Force. Dean/Castiel. PG-13. 1,709.
It’s not the words that matter, but the meaning behind them.
I'll Write You a Postcard, I'll Send You the News. Dean/Castiel, Sam. PG-13. 3,461.
Dean told himself, “Live through this, and you won’t look back.” But he does.
Land
There is no land but the land. Dean/Castiel. NC-17.
Sam has a plan to avert the Apocalypse and Dean has a secret admirer. Castiel isn’t particularly pleased on either count.
Parts: One, Two
At that Tower of Babel they knew what they were after. Sam, Castiel. PG. 1,091.
Castiel looks after Sam while he dries out. They talk about some stuff, but mostly what Sam notices is what they don’t talk about. Missing scene from "There is no land but the land."
A branch of coral flame. Dean/Castiel. PG. 703.
Even now that it’s all over, Dean can't quite convince himself it's real. Epilogue to "There is no land but the land."
Or an Absence Of. Dean/Castiel. R. 3,387.
Castiel uses a somewhat unorthodox method to convince Dean to accept his destiny.
The River. Dean/Castiel, Sam. PG-13. 3,546.
Dean has doubts. Castiel doesn’t.
There must be something that remains. Dean/Castiel, Sam. NC-17.
A year after his brother's death, Dean's trying to put the past behind him. But when Castiel shows up at his doorstep, Dean starts to realize that the past isn't quite as buried as he thought. AU period casefic.
Parts: One, Two, Three, Four, Five, Six, Seven, Eight
Ye who are weary come home. Dean/Castiel, Henrikson, Zachariah, Sam. R. 22,747.
When a murder investigation leads Detective Dean Winchester to an isolated religious settlement outside of town, his life becomes inextricably entwined with the one man who may be able to help him solve the case. AU casefic.
Parts: One, Two, Three, Four
VERONICA MARS
Dinner. Cliff, Keith. PG. 793.
A visit with Keith is always a pleasure, especially since Marses have a better cable package than Cliff could ever hope for. Follow up to " Waiting."
Lately. Logan/Weevil, Veronica. NC-17.
Years later, Logan runs into Weevil when he returns to Neptune.
Parts: One, Two, Three, Four
Waiting. Keith, Logan. PG.
A little "Veronica Mars" character study, very short. Followed by " Dinner."