The mind is a strange thing. I cannot even say if it's the mind of a writer that I mean, or the mind of a human. I have always had the mind I have; it is impossible to say whether my habits conform to those of any group--writers, women, those of an age neither Generation X nor Millennial, Americans, artists, and so on--or whether it is just the
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Also, I'd love to hear your ending for Purple Rose of Cairo. That film affected me on a profound enough level that I watched it something like five times in a row before I could really process it.
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140 characters just doesn't work for me.
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Secondly: I do something similar in terms of visualising places that I'm writing about, but not with quite the same degree of mythomnemic entanglement. (I realise even as I type that sentence that mythomnemic isn't a real word, but I'm making it one, goddammit, because the mythology of memory is a THING that Requires Description.) There are places in my fantasy settings - secondary world stuff, not based on anything modern or personally familiar at all - that I can picture and experience in tactile, sensory detail, and which I initially always view from a particular set of imaginary-camera angles. Which leaves me struggling to resist overdescription: it doesn't actually matter, in most cases, what colour the stone is in that one room, or the shape of the rug or the way the window balances the standing mirror opposite, but I can see it so clearly that I feel obliged to convey the right level of detail.
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I think schools are my middle school.
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P.
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