In response to
this post by Tricia and Lex at FANgirl Blog:
What's wrong with Padmé Amidala losing the will to live at the end of Revenge of the SithWhat happened to her on that day would have sent many a normal person into an extreme clinical depression, the kind where you - yes - lose the will to live. And it's consistent with her
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Comments 18
So yea, I have never been satisfied with her death in RotS. It just doesn't make sense.
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impelled to identify with her Well, sure. It's like Fisher says, "I am like the only woman in the whole Star Wars galaxy, the only one to fall in love with or who has exciting adventures ... " and Portman is like that for the prequels. A sort of scary impression from Portman and not Fisher is that, if you love and marry and have babies, you die! I am here to say that it is not so.
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THIS, in huge ways, because all the realistic aspects of the PT hinge on Padme: her job, her plans, her ideals. She is the centre around which that part of the story turns (whereas the Jedi as Space Wizards are of course the centre of the fantastical aspects). Abandoning that when she needs to die and die quickly is inconsistent worldbuilding.
But partly also, and for me even mostly, this: the Star Wars prequels don't give female fans many options. Because the fact that she is the only woman in the movies who gets a significant part makes her a statement. Her characterisation is a statement, her story is a statement; not just about Padme as a person, but about the minority/group that she's made to represent by being the only member of it on the screen. So the statement ROTS makes about 'women', via Padme: if your bloke leaves you, you die ( ... )
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"Thou shalt not might reach the head; but it takes once upon a time to reach the heart". Of course people model themselves after stories. His Dark Materials had a greater effect on the way I think and the kind of person I am than anything I ever learned at school, or uni, or work. And that's one story out of the hundreds I've consumed since childhood. Stories are supposed to affect you, to change you, to teach you, to open your eyes and show you another way of looking at the world, or another way of behaving, another system of values. That's their function. On an individual level as well as on a societal one. If they don't influence people there's no point in telling them.
I operate with the assumption that people can be trusted to know better than to take fiction as gospel.Which ( ... )
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Says who?
To me the point of telling them is that thinking them up and telling them is fun in itself. Same about reading them. When I want to learn, I'll take a class or open a textbook. When I open a novel or watch a movie, I want to have fun. Learning something in the process is nice, but not necessary.
That's their function.
The function of stories is entertainment.
No, I get it: there are different ways of seeing everything. There's nothing wrong with that. Problems happen when we refuse to accept that our view of reality isn't the only one, or as one of my teachers likes to say, "when we mistake our reality for everyone's reality, if there even is such a thing".
His Dark Materials had a greater effect on the way I think and the kind of person I am than anything I ever learned at school, or uni, or workYes. It's true for you. Personal experience is not a valid basis for generalisations about what people in general do, and even less about what is "supposed" to ( ... )
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As for "medical/biological realism" that's just - ROFL. Star Wars is mythology. I don't think that realism is what a SW viewer sould be concerned about most of all.
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I agree. Ambiguity is best. ;) Even though I like the reason we were given.
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