Hi ( Read more... )

( Read more... )

As I grope, tumble  and scramble about trying to sort out, to my own satisfaction, the meaning of digital photography, I continue to experiment  to see what type of images I want to make specifically with my digital camera, that I would not normally make with film.

This collage is a good example of what I would almost never undertake with film ( Read more... )

I have a limited number of assorted work prints laying about I would like to send out as postcards. SO, if you would like to receive one, please e-mail me with your name and mailing address, and I will get one off in the mail to you.

They are printed either on Museo Silver Rag or Epson Premium Semigloss Photo Paper with pigment ink. Mostly they ( Read more... )

( Read more... )

I am absolutely not interested in discussions of the supposed merits of digital versus film or vice versa. This kind of discourse brings to mind the photography versus painting discussions of the past. However, for my own purposes, I have to come to an understanding of what film and digital photography mean to me and how I have to react in my ( Read more... )

Here is the official notification of my workshop at the Harn:

Adult Studio Class: Introduction to Alternative Photographic Processes

Saturday, Jan. 5, 10:30 a.m. - 1:00 p.m. and Saturday, Jan. 12, 10:30 a.m. - 2:00 p.m.
Artist/Instructor: Christian Harkness
$85 ($75 members)
Materials: List provided; students should bring materials to class
The ( Read more... )

That’s the title of the workshop I will be giving at the Harn Museum of Art in Gainesville, Florida on 5 and 12 January, 2008. The plan is to concentrate on the making of the digital negative during the first session, and do the actual printing during the second. The technique for making the negative is going to be Dan Burkholder’s as explained in ( Read more... )

( Read more... )

( Read more... )