This semester is killing me even more than last year but that might have to do with the fact that I'm taking four classes, hosting a reading series and editing a lit mag this semester. I'm trying to return to LJ (yeah right how many times have I said that?) but things haven't settled in a rhythm yet, I'm hoping they do in the next couple of weeks
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To tide you over, I've heard good things about Liar by Justine Larbalestier. She's a white author, but from her blog and Twitter and from actions she's taken I'd trust her to write characters of color. Maybe direct folks to that information so they can use it in processing the book.
I'll keep looking.
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I think one of Cirocco Jones and her sidekick Gabby in Varley's Titan trilogy is not white.
Racking my brains for Asians, but not there yet.
If you're looking at short fiction, look at Le Guin's "Sur," in The Compass Rose for very interesting Latina women, not very developed individually but fascinating in the group context.
I doubt you could read Beloved given your considerations.
More perhaps later.
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Le Guin's The Telling has an Indian lesbian protagonist. I have some issues with the book (somewhat tragic-lesbian-ish, and when I realized that it was written as an allegory for the Cultural Revolution in China rather than a critique of global capitalism as I first read it I was also somewhat bothered), but I also love it and I think it would be great to study.
Vandana Singh's Distances -- the protagonist is *green*, but the issues of cultural difference are really deeply explored imho.
Nisi Shawl's "Deep End" in Filter House and also in Dark Matter -- because of the way it brings a consciousness of race and gender into a common sf trope.
If I were doing this course I would include film and teach Lizzie Borden's Born in Flames, Children of Men and 28 Days Later.
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