This week we've got another Classic Plot, albeit one that's not often seen, Monsters Emerging From the Cinema Film.
It has appeared more often in comic books than in filmed media, probably because of budget considerations. The last time I saw it was Leave it to Chance, but Marvel and DC have turned in their versions in the past. My husband and I
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And, setting the old cinema in the Paget Rooms was icing on the cake. I've got a lot of history with that place and it was fun to see it featured.
GDL really is a star, isn't he, love him? His stage-presence is remarkable even when he's not doing anything (though, of course, each and every young Welsh actor automatically takes note of Burton's remarks on stillness) and, yes, he certainly pulls out the best in John when they share scenes. (Uhum, that could have phrased better, given John's proclivity for pulling bits of himself out, sorry!)
He said, in November at The Point, how pleased he was to be the lead's love interest and he has certainly risen to the challenge - ironic how "the lead" seems to need him to make the most of his own acting abilities!
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Ianto was my emotional connection to this story, and while Gareth did a wonderful job he simply didn't have enough of the focus to carry the story by himself.GDL is so fabulous. He makes me happier than possibly anyone else on the show. And I think that's why I was so radically dissapointed by the end of the episode. When GDL tears up for that little boy, that got me in the gut! He was so beautiful in that moment and I felt every inch of what Ianto was feeling. But where the hell was that in the rest of the story ( ... )
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