The discussion of transexuality in film was a spur to some thoughts I was already having about the portrayal of disability in film. There are at least three aspects to the way film deals with disability that we need the media industry to make progress on if we are ever to consider ourselves to be getting equal treatment. Those three points are
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The Bechdel Test is a test for a film's watchability popularised in Alison Bechdel's 'Dykes to Watch Out For' where a character says that for them to watch a film:
It has to have at least two women in it,
Who talk to each other,
About something other than a man
Is there a crip equivalent, and do any films pass the test?
It has to have at least two crips in it,
Who talk to each other,
About something other than disability
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Doing a direct translation of the Bechdel test seems a little harsh, since women are 50% of the population, but it's an interesting exercise to see if anything at all passes all three stages. I'd guess the best bet would be films which focus directly on disability, not that anything is leaping to mind right now, and even so there is likely to be difficulty with the third stage. Oh, hang on, I've got one. Regeneration, based on the novels by Pat Barker about soldiers with PTSD in WW1. PTSD is the biggie there, of course, with symptoms including mutism, acquired stammering and hysterical paralysis, but you also get medical problems such as developmental stammering and asthma. Naturally there is a lot of talk about PTSD, as it's set in a psychiatric hospital where they've all been shipped for ( ... )
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True, but we're a fairly sizable chunk of the population ourselves, comparable in size to many of the ethnic and religious minorities, and I can certainly imagine applying a variant of the Bechdel test to the representation of ethnic or religious minorities in film, say looking for non-stereotyped interactions.
And we can also think about it mathematically. If women are 50% of the population, then 1 in 4 random pairings of people are both women. If disabled people are 1 in 5 of the population, then 1 in 25 random pairings will be both disabled. So all other things being equal, there should be roughly one fifth as many (actually 4/25) films that pass the disability-Bechdel test as there are films that pass the normal Bechdel test. That doesn't add up to many, but it should add up to some.
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But, and this is a luxury that an extended series has that a film doesn't, they could have individual episodes in which his MS was incidental to the episodes' plot. Not that I can actually think of any good examples.
And because it was relapsing remitting MS, they could ignore its existence for weeks at a time, which is a nice little luxury for the screenwriters, though not perhaps so good for us.
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1 in 5? Seriously? Any idea what proportion of those are invisible disabilities, or semi-invisible (e.g. you look fine but you have a speech impediment)? Or people who don't get out, come to that? Because if you go to, say, an average supermarket, it doesn't appear like anywhere near 20% of people are disabled, and even if you go somewhere where everyone there actually talks to you, it's unlikely to be that high. I'm curious as to what proportion of people actually show up as disabled in an obvious way in standard social situations.
The Joey Lucas thing: it's funny, elfbystarlight and I were both saying that we must do a ( ... )
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Which is pretty much my point ;)
>> 1 in 5? Seriously?
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(The comment has been removed)
There's another one I know, but I can't remember who it is at the moment.
(Incidentally, I feel uneasy using the term "deformed" but I can't for the life of me think what is a good term in that instance. Anyone?)
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It seems like a big thing with being unable to speak is having the tools to communicate; that post by Roger Ebert was indeed very moving and great food for thought, as was a comment on it by someone who stutters. I occasionally am unable to speak due to episodes of collapsing (I have severe ME/CFIDS), and in those situations I don't have the option of any alternative methods of communication. A means of communication whereby everyone can understand one another, and the speech-impaired person remains in control, sounds excellent to me.
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