Thank you, Kin! It just flew right by me when I watched the program, but when I saw the stills, it leaped right out there. I think the director is a fan of QAF, and has a subtle way of reminding us. I failed to bring out how his hands seem to be describing what might be attached to the tip.
Thanks Shadow. Aly made some wonderfully sharp caps. With just a little brightening, and a little snip here and there, they are fun, and just perfect to play with. and BTW, sincere and hearty congratulations on your new job. It must be a very smart, and intelligent company, because they picked you.
Aww, that's the trouble with the big broadcasting companies. You never get to see ANYTHING "all the way," because those tongues would tie themselves in knots. But, thank goodness we have QAF to get our imagination in gear, and let us see the possibilities.
Thank you Sweetie. I could just see him pinning that waiter to the wall and showing him what the big tip came with. Much easier to maneuver Tuxedo pants than skin tight yellow leather.
Thanks, Friday. Ah, the sacrifices we make for the love of Gale. I even watched "Martha Behind Bars," and that totally sucked, except for the five minutes Gale was on camera. TSC has moments, and the still pictures are delicious. I'm glad you enjoyed my interpretation of the scene.
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It just flew right by me when I watched the program, but when I saw the stills, it leaped right out there. I think the director is a fan of QAF, and has a subtle way of reminding us.
I failed to bring out how his hands seem to be describing what might be attached to the tip.
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and BTW, sincere and hearty congratulations on your new job. It must be a very smart, and intelligent company, because they picked you.
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But, thank goodness we have QAF to get our imagination in gear, and let us see the possibilities.
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LMAO@ the waiter scene, that was a wonderful deja vu ;o)
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Much easier to maneuver Tuxedo pants than skin tight yellow leather.
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TSC has moments, and the still pictures are delicious.
I'm glad you enjoyed my interpretation of the scene.
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