The thing that kind of gets me about No Country, despite how fantastic a film it truly is, is that these guys took a book and made it into a film. I'm not denying their talent or the work involved, but there was very little creativity involved. Outside of the casting and the cinematography, everything else was taken directly from the novel. Line for line, scene for scene
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I've yet to see Magnolia, but I have seen and enjoyed Punch Drunk Love.
You make a good point with regards to screenplay. I've never read Oil!, but I'm told TWBB takes big liberties with it. I would say it's a Citizen Kane in the sense that it is a meticulous character study of Daniel Plainview, but it isn't in that Anderson didn't tell the story in any groundbreaking way.
But I suppose we can both take solace in the fact that Juno was not given the award.
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Anyways, I hate to toot my own horn but, you know, :D
I think I did pretty well!
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You make a good point with regards to screenplay. I've never read Oil!, but I'm told TWBB takes big liberties with it. I would say it's a Citizen Kane in the sense that it is a meticulous character study of Daniel Plainview, but it isn't in that Anderson didn't tell the story in any groundbreaking way.
But I suppose we can both take solace in the fact that Juno was not given the award.
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