About ten months ago, I sold my first novel, Amaranth to Juliet Ulman at Bantam/Spectra. I've mentioned the thing off and on since then, in the occasional blog-post, but really, things have been understandably quiet as I waited out the process. About four months ago, I handed in a second draft of the story, based on a conversation Juliet and I had
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I'd hasten to add, Darin, that the relationship is mutually beneficial. Good editor(s) + good writer + good editing = good book. Plus, the win for readers.
Even with "Dirt Roads and Ka," when we bandied emails back and forth for a weekend, I was thinking, "Now, how can a screw this up? It's already tight." But you helped make it tighter.
And, dude, that's an awesome monitor you've got. Holla!
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You dig the screen? It's almost a necessity, with all the design I do-having the laptop's built-in monitor off on the side helps, too.
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It is, as they say, a pile.
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In the long term, I think this is better for your career and your marriage than making her teary-eyed via pepper spray.
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Anyway, congratulations on destroying the image of editors I've had in my head since I read Piers Anthony's "But What of Earth?" when I was 13.
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Darin, I'm officially calling dibs on a super-special signed copy when the book is out (yes, I'll pay for it, but no, I'm not settling for a copy with just your signature. Me want more!)!
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And congratulations.
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Thanks! Each phase of progress seems to just bring impatience for the next.
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Yes, it's handy for some to demonize editors when they're grasping for explanations as to why their work isn't selling/being published.
But in reality, editors are people . . . smart people. Bu-ut the truth can be bitter medicine, I realize.
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