Two For Flinching [Part Two]
anonymous
April 3 2012, 12:26:46 UTC
Kida tries to explain things about her people that Audrey does not quite understand, but which sound fascinating all the same and which Audrey is more than happy to listen to. It slowly dawns on her that Kida is ancient, old as hills and rivers it seems, and older than the use of metal. Perhaps that is why the machines here are so strange. In return, Audrey tries to explain the machines that her people use, starting from the oldest stories of the barbarians in Europe that she can barely remember Milo blathering about, using stone and then metal, and then there were Romans or something, Europe is weird, and then steam and gasoline and this new radiation thing in Europe. They try to find some shape of words that they can both understand, but even in the meantime it is fascinating
( ... )
Two For Flinching [Part Three]
anonymous
April 3 2012, 12:28:15 UTC
There doesn't even have to be a fight. Kida and her men posture, and most of the group - other than Helga - are so shocked at Rourke's behaviour that they refuse to help him, and take his guns. Rourke and Helga end up in handcuffs and gags, and the rest of them prepare to leave
( ... )
Kida/Audrey.
The crowned jewel of obscure femslash in my opinion.
Perhaps Fluffsmut(?), and bonus points for including:
"Two for flinching." :D
Puh-leeeze?
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http:/th03.deviantart.net/fs71/PRE/i/2010/196/0/b/Two_for_Flinching_by_X_Arielle.jpg
If you track down the marvelous soul who drew this, Please tell them to get the fuck out of my head and keep being awesome.
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They have a lot of Disney femmeslash art, if that's what you're into. <3
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