This is the first I've heard of artist Aelita Andre. A video of her is currently trending on YouTube, which is how I came across her. It depicts her at work in her studio:
It goes for about 14 minutes - I didn't bother to watch it all, I watched the first few minutes then skipped through it. It is the height of indulgent wank, regardless of the
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This is the most expensive painting ever sold:
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''The arguments we've had against Aelita are basically that because she doesn't have intention, it's not great art. But Jackson Pollock spent years trying to unlearn how to paint. He boozed himself up trying to get back to a childlike state. Are you trying to tell me that every one of his marks was intentional? How do we know it wasn't a case of 'I'll grab my house-paint and see what happens'? You can never know the mind of the artist.''
This makes a lot of sense to me, as does Derrida's belief.
I can't judge her paintings, I don't really know enough about the style, though I can see how one might view her paintings as "child-like Pollock", hear her story, and be very excited about her potential as an artist. That said, how do I know she's actually special? Which is why I found this interesting:
Her parents insist everything else [bar priming the canvas] is her own work, but with advantages like those, some observers say, any child could turn out work that ( ... )
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I thought I posted here...
Anyway, I said something about Derrida saying that intent is impossible to access so it's pointless to even talk about it, and about how art is something decided upon by the community, but that it's not democratic in that some voices count more than others.
Also that I think what she is doing is pretty damn special, it's no mean feat to paint like that; she is seeing the world in a way we don't and her art allows us insight into that perception. The world's most expensive painting is No. 5 by Jackson Pollock:
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I'd put it up in my house.
That would be an excellent video to watch at a DT. I don't think it's wanky at all, I think it's beautiful.
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