Platonic solids are always presented in order of number of faces, which seems terribly unfair - it’s the mathematical equivalent of going in alphabetical order of surname - so I randomly permuted them to give the order here. Which isn’t addressing millennia of discrimination, of course, but doing them in reverse order seemed wrong too
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I find the self-dual nature of the tetrahedron to be rather charming myself, but I always have had a soft spot for narcissistic types.
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I see what you mean about the tetrahedron's self-duality. I'd been seeing it as a bit unsubtle and lacking in interesting complexity. But looked at from a different angle (sorry), it's straightforward and clear, and also admirably self-contained and independent.
I think I would struggle to defend my ratings on a strictly objective scale ... in fact I think I would struggle to reproduce them myself on a separate occasion.
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Are there no other talking cubes in literature (broadly construed)? There must surely be, but none are leaping to mind.
I'm pretty sure all the Platonic solids have non-speaking roles in fiction - cubes and cuboids all over the places, but the others crop up in SF(&F) from time to time. Although they may sometimes serve as MacGuffins, I can't think of any that would count as characters.
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But then the narrator apparently just wanders off, so the Cube never quite gets a speaking part.
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A couple of people took the interesting approach of also considering the aesthetic appeal of the solid's unfolded net, which generally caused them to give extra points to the dodecahedron. (They didn't say which of the possible net layouts they thought was exceptionally lovely, but I'm guessing it was the fairly standard one of 'pentagon, with a pentagon on each edge, now do that again and join the two pieces side by side'.)
And drswirly argued persuasively in favour of the octahedron deserving a higher score, on the basis that it looks so startlingly different from multiple points of view - with a vertex facing you it's wide and chunky, and yet with an edge facing you it becomes surprisingly thin - and also because it can be regarded as a triangular antiprism, which is perhaps surprising if you'd ( ... )
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The tetrahedron is too dull. I mean, self-dual? What's the point of that?
The cube is very functional and useful, but not really exciting.
The icosahedron is a bit too busy, and like a sphere having a bad day.
The dodecahedron is just showing off. Really, pentagons? Smug thing.
The octahedron is pleasantly surprising. It looks all wide and square when you look at it with a vertex towards you, then tall and thin with an edge towards you. And when placed flat on a table, it taunts and teases with its antiprismness, the cheeky little thing.
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I like the idea of thinking about the net, but I really don't care much for the dodecahedron's nets. Even the one you mention. They look like an unpromising mess of pentagons. It's only when the thing is assembled that the lovely symmetry is there for my money.
Now, the icosahedron's nets, on the other hand, are fantastic.
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