so! In the fall I am going to be teaching two sections of introduction to women's studies at Suffolk University, which I am beyond thrilled about. But perhaps even more exciting is the fact that the department has asked me to develop and propose an upper division course for the spring semester, and the idea of mine they were most excited about is a
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Scott Westerfeld's Uglies trilogy is amazing and powerful and hard to read - I would go back to school in order to be able to teach those books.
Dairy Queen & sequels by Catherine Gilbert Murdock are lovely interesting books about a midwestern jock who has to deal with being a jock and a girl.
I have not yet read but have heard good things about Justine Larbalestier's book Liar and I read and enjoyed her Magic or Madness trilogy. Both have non-white protagonists.
Frannie Billingsley's Chime is made of win and awesome and... I just... I think everyone should read it.
I could probably go on.
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Recently I read Zahrah the Windseeker by Nnedi Okorafor which not only had all non-white characters, but is fantasy based in an African milieu, which is pretty cool.
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TBS is, however you slice it, deeply derivative of both large chunks of Kipling and Lawrence of Arabia. Except that the protagonist is incredibly chill about the rape analogue. If you are looking for works about non-white anything, this level of unexamined Colonialism is not where I would go. (But then, I can barely tolerate Curious George. So you should know how much weight to put on this opinion.)
And Robin McKinley (whose work I read and enjoy) is TOTALLY FUCKING INCAPABLE of writing the end of a book. She gets within about thirty pages, and you can see the loose ends working together, and then there is an Incoherency. Someone has a hallucinatory bad period, or a colossal drug trip, a mountain falls down, blue dust gets everywhere... and then the book is over. It's frustrating.
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pretty much anything by Jane Yolen
"Girl in Landscape" by Jonathan Lethem
Scott Westerfeld's "Uglies" series
some people like Madeleine L'Engle but I'm much more fond of the fantasy things done by Terri Windling such as her Fairy Tale series and the Borderland stories. Granted that I'm not a huge fantasy fan to begin with, but I think Windling has a much better eye for these things.
"War for the Oaks" by Emma Bull, or maybe "Finder".
And now that I've drifted far into fantasy I have to nod to Ellen Kushner as well, though I'm having a hard time thinking of Kushner things with female protagonists.
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In any case, thanks for the recommendations.
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When you are done disserting and have oodles of free time and if you like you can read some of the "genre ghetto" critical thinking, of which some is actually worthwhile, imnvho.
Regardless, sorry for making obscure references.
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YA fiction? IS A GENRE. It is very nearly the most ghetto-ed effing genre there is, shat on almost as much as category romance.
And how, precisely, does anyone *get* within striking distance of a PhD in English these days, without immense amounts of critical discussion of genre? I couldn't get through a BA without multiple seminars on "What is Literature?", and the use of genre to marginalize women writers and writers of color.
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