→ Fever!Verse ←
With wouldbeakick
Let's get inside your car
Just you, me, and the stars
Post-Inception.
A mysterious Mr Blackwood wants Arthur and Eames dead. Highly trained assassins follow them around the US as they move from one hotel to the next, trying to survive and desperate to get to the bottom of their situation. But the only explanation is that they’ve been set up, probably by another extraction team seeking revenge or narrowing down competition, and what better way to do that than by making it appear as if they were the ones to sabotage an important job they knew nothing about and have a very powerful man hunt them down because of it.
But there is an upside to this predicament. It brings Arthur and Eames together unlike ever before, allowing them the time to lower their walls and give in to their desire for each other. After years of longing, that can’t be a bad thing. Can it?
→ Thread Tracking ←
♣ [001]: [Watching smoke. Cheerfully] The rental's bust.
♣ [002]: There's a job.
♣ [003]: [Playing tourist. Approching park bench, smoking.]
♣ [004]: She knows. We should move out.
♣ [005]: [Propping up the hotel bar, alone.]
♣ [006]: [Entering the room.] Eames, are you...?
♣ [007]: [Still in bed searching through purse.]
♣ [008]: [Driving along.] What do you think?
♣ [009]: To the side of the road.
♣ [010]: [Putting the final touches on documentation.]
♣ [011]: Playing at husband and housewife.
♣ [012]: I'd be under the sea
♣ [013]:
♣ [014]: [Visiting the grave of his mother.]
♣ [015]: [Smashing keyboard.] Can I shoot it?
♣ [016]: [Swimming laps in empty hotel pool.]
♣ [017]: [Leaning against.] I think you're smashed.
♣ [018]: I have a weakness for dubstep.
♣ [019]: [Sidling up behind.] Hello again, darling.
♣ [020]: [ At playground with James and Phillipa. ]
♣ [021]:
♣ [022]: Bum a cigarette off you, love?
♣
♣
♣
Let's get inside your car
Just you, me, and the stars
Post-Inception.
A mysterious Mr Blackwood wants Arthur and Eames dead. Highly trained assassins follow them around the US as they move from one hotel to the next, trying to survive and desperate to get to the bottom of their situation. But the only explanation is that they’ve been set up, probably by another extraction team seeking revenge or narrowing down competition, and what better way to do that than by making it appear as if they were the ones to sabotage an important job they knew nothing about and have a very powerful man hunt them down because of it.
But there is an upside to this predicament. It brings Arthur and Eames together unlike ever before, allowing them the time to lower their walls and give in to their desire for each other. After years of longing, that can’t be a bad thing. Can it?
→ Thread Tracking ←
♣ [001]: [Watching smoke. Cheerfully] The rental's bust.
♣ [002]: There's a job.
♣ [003]: [Playing tourist. Approching park bench, smoking.]
♣ [004]: She knows. We should move out.
♣ [005]: [Propping up the hotel bar, alone.]
♣ [006]: [Entering the room.] Eames, are you...?
♣ [007]: [Still in bed searching through purse.]
♣ [008]: [Driving along.] What do you think?
♣ [009]: To the side of the road.
♣ [010]: [Putting the final touches on documentation.]
♣ [011]: Playing at husband and housewife.
♣ [012]: I'd be under the sea
♣ [013]:
♣ [014]: [Visiting the grave of his mother.]
♣ [015]: [Smashing keyboard.] Can I shoot it?
♣ [016]: [Swimming laps in empty hotel pool.]
♣ [017]: [Leaning against.] I think you're smashed.
♣ [018]: I have a weakness for dubstep.
♣ [019]: [Sidling up behind.] Hello again, darling.
♣ [020]: [ At playground with James and Phillipa. ]
♣ [021]:
♣ [022]: Bum a cigarette off you, love?
♣
♣
♣