I'm tearing up the world with this Story Grid method! It's amazing.
Fully 43 scenes lacked Conflict, Arc, Turning Point, Stakes, and/or Plot Purpose. Some can be fixed, but a whole bunch are deadwood. No matter how much I've loved each of their conflict-free little faces, they're on the chopping block
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I've missed you! This is an interesting concept. You have to explain this further, in tiny, roxy-sized words! I use my writing icon in your honor. ;)
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Shawn Coyne's definitions of genre go beyond what you and I think of as genre (like sci-fi, fantasy, romance, thriller, literary, etc.), but in a nutshell, genre defines the expectations your story is going to raise in the reader, and to some extent prescribes how to meet them.
All genres have certain obligatory conventions, and if your story doesn't have them, it's not in the genre and will disappoint expectations. So, a thriller must have a climactic scene where the protagonist is at the mercy of the antagonist. A murder mystery must introduce a body in Scene 1, and have some red herrings along the way. You get the picture.
Well, a Romance must have a First Kiss scene (which I've got), some Obstacles to Love (which I've certainly got), a Will-They-Won't-They dynamic right up to the climax (mine ends way sooner than that), and a happily-ever-after ending (which is stunningly absent).
So I said, "Hm. Can it be that Restraint isn't a romance ( ... )
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I can see why the shift in focus from romance to society drama is helpful, though. Many novels, after all, are fundamentally about class and society.
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Wow. It's really more prominent than I was conscious of!
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I'll tell you what, though, that was a god damn beautiful, *beautiful* story. you know how it just flooded my head with all these beautiful visuals...*happysigh* I'd have to stop and reread a bit over and over because it was so pretty.
And apologies for unleashing the full Ramblin' Rose to your reply! :D
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You know, when you say it right out like that, obviously, Restraint wasn't a romance. I just never knew the right questions to ask to get to where I am today with it. I should have gone to you! You're a great story-weaver, and the elements of story seem to come to you so naturally.
Last summer I paid a large chunk of money to have a professional editor read my novel, and honestly, I think she was as stymied by its problems as I was. That was a real inspiration-killer for me for a whole year. I think she couldn't get beyond its fandom origins, and (in the absence of another large payment) couldn't give me anything more than "it's too long" and "they gaze at each other a lot." (She was right in both cases, but that was hardly an editing plan, you know?)
Anyway, thank you for reading it and feeling it. It's my goal in life to keep its heart and soul intact, and still perhaps be able to get it published.
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Everyone wants their little hands held these days. I been unpleasantly surprised by a story, but I've never blamed the author for that. It's on me, for not paying attention.
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