Not a Happy Time Right Now...

[fenderlove]

*throws another rejection letter onto the pile* After the week I had, this is the last thing I wanted in my inbox. I really thought that this one would be the one that people would like. Should I email the editorial staff and ask for more information why this story "wasn't the right fit?" I feel like publishers just say that in hopes of not

Comments

[velvetwhip]

*hugs you*

I wish there was some way I could help. Please don't be so down on yourself. Plenty of very talented writers have suffered rejection upon rejection until someone with discernment finally got hold of their work.

Gabrielle

[fenderlove]

I just don't know what to do at this point. I can't find anymore publishers who aren't vanity presses that would try to steal every dime I have, and, if I self-publish, I'd be out more money than I'd ever get back. Sometimes I get flat-out rejections, and sometimes I get the "just didn't fit" rejections. Sometimes, the "just didn't fit" ones make sense because it's an anthology or something that they had a more specific kind of story in mind, but sometimes, with more general open calls, I'm just like "Didn't fit what?" or "What part of my story didn't fit? The whole thing? What were you looking for?" If they'd tell me what they'd wanted, I try to write that. I just need some kind of direction to go in besides spinning in place and feeling sorry for myself. I've got professors who reject my academic writing, galleries rejecting my artwork, and publishers rejecting my fiction writing... To top my week off, I did a poster, mostly pro bono, for a group of students who were very behind on their final gallery show, only to have part of the

[velvetwhip]

Oh my. That is a whole lot of negativity and rejection to be enduring all at once and I am so sorry. You sure as heck deserve better. For what it's worth, *I* think you're talented and I really hope you find appreciation soon.

Gabrielle

[fenderlove]

I appreciate the well-wishes, I really do.

[fenderlove]

I appreciate it, but sadly, at the moment, I don't know what I'm going to do.

[ericadawn16]

(hugs)

"Not being the right fit" is one of the things I was taught to say when I thought a story was going to be more trouble to edit than it was worth.

I'm sorry. I don't know about your methods, but make sure you have others read it first; not just those who are your best friends but those who can be harsh critics with your work...maybe even a local or online writing group. It could be as simple as the editors not liking your tenses or POVs or as complex as being too similar to the other stories they've received.

[fenderlove]

Well, I write and proofread constantly as part of my professional work, and I do have others read my work (my professors and advisors, mostly), but I can't say to what extent it has helped or hurt my writing. It could be that my writing is too bland, but I wish I could get feedback from the editorial staff to understand exactly what did not work.

[ericadawn16]

How short are these stories? At my publisher, we don't really bother with anthologies anymore because they don't sell well so we prefer them to be at least 30-45 K but preferably around 80 K.

[fenderlove]

Most of the stories that have been part of the open calls are anywhere from 3.5K-15K in length. I'm working on a longer work that I'm hoping will be close to 80K so that I can submit it somewhere like DAW Books that will take unsolicited manuscripts of the sci-fi/fantasy genre.

[fenderlove]

At this point, only Penguin's sci-fi/fantasy division is taking unsolicited submissions, and they have to be 80K words long. I sadly don't have anything that long yet.