[So while the rest of Johto alternately panics, cries, or rushes around trying to capture as many of the soulstealing insects as possible, there are dozens of souls floating around in that dream limbo, drifting in and out of each other's slumbering thoughts and visions. Whether it's nightmarish flashbacks or just those dreams where you're at school
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So Miyako just opened it, trying not to hesitate. She wasn't sure what was going on, and frankly, this entire scene-changing freaky place was starting to give her the heebie-jeebies, but she couldn't turn back now. After all, there was nowhere to go. Nowhere except forward.]
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[The world on the other side meets Miyako in a rush-- fog, and lots of it. It might even be refreshing after wandering in pure blackness for so long. Cool, white, and so thick it could practically be solid, it coats every inch of the landscape before her-- turning something that could probably be your average suburban neighborhood on a good day into a veritable ghost town.]
[The faded forms of trees and houses loom up out of the mist on either side, but the land directly ahead of her is bare. A broad street.]
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[But it's silent.]
[... Silent... except for a far-off gusty sound. ... The beating of wings?]
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...and into someone else's, apparently. And what a nightmare it is. Everything seems to be cast in red light, and the whirring and humming of machinery makes him nervous. Even though he looks like he could fit into a world like this, he feels uneasy, like he needs to find a place to hide rather than continuing to stand out here in the open where any enterprising metaphorical hawk could swoop right down and snatch the wayward little creature.]
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[The door opens surprisingly easily, even for the spindly little thing-- maybe it's because he's not quite human-- or maybe it's just the wind helping him out. On the other side, buildings. Dark buildings-- uninhabited, it seems-- save for one, whose windows are lit in the face of the darkening scarlet sky. And it is darkening quickly. The smoky sun is already disappearing behind the mostly-obscured horizon. He's right to be hunting for a hiding spot, because little things-- even little monsters-- aren't safe on the streets of the other Silent Hill ( ... )
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The sky darkens to a deeper shade of alarming crimson, and he knows down to his marrow that he does not want to be out in this.
The door jumps out at him; the stark outline is impossible to miss, especially when it's surrounded by entrances that just don't look real. He hurries toward it, heart pounding, slipping inside while drawing as little attention to himself as is possible.]
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[It looks for all the world like a completely normal evening in a completely normal home, right down to the spilled snack-- a fairly understandable consequence of evening cartoon-watching in a house with a rambunctious child.]
[... But it's not a normal evening.]
[A man is standing at the foot of the stairs and looking up them, his back to L's odd little soul. He's wearing an overcoat, and his features from behind, although not noticeably absent, seem... fuzzy. Like a vague memory. His voice, when he speaks, is strangely stiff... but full of anger.]
Give her to me.
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Guess it's a good thing I'm not afraid of blood.
[And with that, through the door he goes.]
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[Worse still, wherever he is, it's pitch black... well, at first...]
[Once his eyes start adjusting to the darkness, little outlines will start to show up in the darkness... blank monitors and bed rails... trays and bottles... what is this place...?]
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[After a few moments, he has to put a hand up to cover his nose and mouth to help block out the smell. It's the chemicals he doesn't like, it smells like a damn alchemy lab in here and really, that's the only thing he minds. Really. Certainly not the outlines of the bed or the bottles that he quickly looks away from. He decides that he's imagining the old, foggy impressions that start to stir in the back of his mind at the sight of them.]
[He walks to the side, reaching to find a wall--can't go to the center of the room, that's where the circle would be--no, that's stupid. There's probably things to trip over in the middle, that's all. And if he can feel around the walls, he can find another door out of this ( ... )
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[He'll be able to locate a wall, but not before accidentally knocking over a flimsy tray of equipment... there's a patter as needles scatter out across the floor. A couple of them might snap under his feet-- but then his hand will encounter the wall. It might take awhile to find a doorknob... but after bumping into a few gurneys (one of which is much heavier than the others... and if he feels it to see what makes it so, the thing he touches will be soft, fleshy, and still somewhat warm...), he'll eventually find the door...]
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[Beyond the door is a room. On the offhand, it doesn't actually look like there's much wrong with it-- it's a hospital room, that much is clear. It's largely bare. There's a few cots here and there and the tiles on the floor, once probably a shiny ivory but now off-white, are mostly bare. It's well-lit, both by lights overhead as well as a pair of frosted windows, presumably to the outside...]
[In any case, apart from being seemingly abandoned, there's not much in the room that seems to match the tone set by that ominous old door... in fact, only one corner of the room seems to have been occupied at all. The sheets on the cot in the corner are rumpled, and there's bits and pieces of junk all around it-- along with a corkboard which is easily the most colorful thing in the room... thanks to the objects pinned all over it.]
[Investigate?]
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Curiously, she inspects it. She pokes at it, prods at it, before taking the time to read the message.]]
...Fear of blood?
[[Was she afraid of blood? Not really. The door being her only option, and feeling as though she's inspected enough, she carefully pulls it open and peers inside. The smells are an odd mixture of pleasant, yet overwhelming, and the sounds leave her nerves tingling and on edge. Still, though, she has no where else to go.
So she steps through.]]
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[What waits on the other side of the door is.... well, surprisingly? Nothing. ... Nothing of particular strikingness, anyway. It's a hallway-- dark and musty. Its walls and floors may once have been clean, but now they're spattered with big dark splotches and peeling paint-- sort of like blood clots. Either this place has been abandoned for a long time, or the janitor really needs to be fired.]
[But a more urgent thing to pay attention to than the decrepit state of the building is what's ahead... There's no brief pause of silence to build up the tension once she steps inside-- immediately cutting in above the thrum of far-off machinery is a long, gurgling bellow-- when Rose steps through the door, it's right in the middle of the cry, which ( ... )
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[But the sight she'll glimpse around the corner is a tad more attention-grabbing...]
( ... )
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