---damn, I lost the end of a sentence in #6, and left off the reason I simultaneously LOVE Gordon/Shelly, which is that it's fricking hilarious. He can hear her without the hearing aid! What?!
03. See above for caveats about this question; also, I'd be afraid of sexually-transmitted doom.
How about the front desk clerk at the UN Plaza Hotel? She was cute and unimportant enough.
04. Cal Toren.
05. Eddie, Susannah, Callahan.
06. Marian/Nancy! Callahan's little doomed one-sided romance with Lupe (and I love so much that King gave it the respect of tagging Lupe with the last name of ROLAND'S doomed romance; it confirms that it's a serious and legitimate thing, to my mind); and Roland/Irene, but only within canonical bounds--it is what it is, and what it is is perfect. I wouldn't want them to wind up back together.
07. Sadly, this is probably Cal Toren, too.
08. The moments of choice and defiance and awesomeness, where everything changes because one person makes a choice.
09. The way the mystery has to give way to plot, and how lackluster the plot is in comparison in places.
10. This is by far the hardest. What am I guilty about liking? Hmmm
( ... )
Hahahaha John, were you there that time that Shati and I paired up EVERYONE ON UGLY BETTY with EVERYONE ON ANGEL and realized it would be infinitely better than any of the canon ships?
Comments 12
Reply
Reply
Reply
Reply
02. Susannah. Also, Roland.
03. See above for caveats about this question; also, I'd be afraid of sexually-transmitted doom.
How about the front desk clerk at the UN Plaza Hotel? She was cute and unimportant enough.
04. Cal Toren.
05. Eddie, Susannah, Callahan.
06. Marian/Nancy! Callahan's little doomed one-sided romance with Lupe (and I love so much that King gave it the respect of tagging Lupe with the last name of ROLAND'S doomed romance; it confirms that it's a serious and legitimate thing, to my mind); and Roland/Irene, but only within canonical bounds--it is what it is, and what it is is perfect. I wouldn't want them to wind up back together.
07. Sadly, this is probably Cal Toren, too.
08. The moments of choice and defiance and awesomeness, where everything changes because one person makes a choice.
09. The way the mystery has to give way to plot, and how lackluster the plot is in comparison in places.
10. This is by far the hardest. What am I guilty about liking? Hmmm ( ... )
Reply
Somebody write this for me. Please.
Reply
Reply
Reply
Reply
Reply
(The comment has been removed)
Reply
Leave a comment