I am stuck, most severely, on this rewrite. I really want to bribe the Muses. Maybe if I toss someone to Calliope, she'll throw me a bone. After all it worked for Cassie.
This is what I have so far, whenever I can get my mojo back I'll finish it.
(
Let It Be, Part 1 )
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Translation: You're kicking ass cause that's all I can think of to improve this.
I find it of interest that you read plays to improve your dialogue. I wish I'd thought of that. Can you recommend any?
Really nice depiction of the whole festival scene. :)
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Next in line is "Stalag 17" by Donald Bevan and Edmund Trzcinski. It's the one that inspired the movie "Stalag 17", which is an excellant adaptation and a great film, as well as the T show "Hogan's Heroes". You can only find it used, it's out of print. If you'd like, I'll copy it and give it to you at Mobicon.
The master, Sophocles, wrote "Antigone" which is my favorite of his trilogy. When I get stuck and can't find a voice for a character I read that one.
OH! And I nearly forgot "The Persecution and Assasination of Jean-Paul Marat as Performed by the Inmates of Charton Unnder the Direction of the Marquis De Sade (Marat/Sade)" by Peter Weiss. BRILLIANT.
Thank you and thank you:)
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and my college did "Marat/Sade" before i joined the theatre program but i saw it as part of the Theatre History class i took as an elective. some awesome stuff and a frighteningly good production to boot.
also, you are amazingly talented! i'd say something about how a certain author we both know and love should take lessons from you, but that wouldn't be very nice, so i won't say that ;o)
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"Frigtening" is the best way to describe any production of Marat/Sade. The music creeps under your skin.
Thank you:) And LOL! I blushed! :) Glad you're enjoying this!
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