A problem I've been thinking over for many years is how to improve protests. It seems to me that the standard models are largely broken at this point, in that they don't motivate political change very well. If you read sources from the 60s, protests were scary back then. They were seen as a collapse of hierarchy, of basic social order. But we've
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Protests as chanting-to-the-choir, they serve some purposes (group cohesion, a signal of size), but they don't serve some other purposes very much.
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The safety pin thing shows how important it is for a protest element to show dedication in a minimally-fakable way. Like an antelope pronking when it sees a lion, it *can't* be something cheap and easy. Those "I will fuck up any bigot that tries to fuck with you" pins are far more powerful, exactly because wearing one exacts a real social price.
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oh hey turns out that's the name of a lingerie distributor.
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Aesthetics are powerful and your protest art ideas are cool, but I don't think they address the core of the problem you describe.
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I am all in favor of art and weirdness. Just in the sense of those being great tools when those are the tools that come to hand... but I wouldn't want to get so comfortable with them that we just stop there. (Which is kind of what I feel has happened with the ritualized pageantry of most protests.)
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And, sure. I'm an artist and a toolmaker. That's what I'm going to burn my cognitive surplus on ...rather or not I even want to... but I'd never claim that was ALL that was needed. It's just something I can do in my spare time, in addition to all the other stuff.
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