I now finished reading two articles, both about the same topic: the attitude of the writer's community toward gays.
The first,
Who Cares About The Death of a Gay Superhero Anyway?, is by Perry Moore. It's a list of gay and lesbian super-heroes in comic books, and how they're treated. The main argument of the article is that gay super-heroes get
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I confess I'm not entirely clear on whether you appreciated Card's article or not. I can say, though, that Card touches on some basic issues I've given a lot of thought to. LDS is not very different, in this regard, from Orthodox Judaism, and I've long believed that homosexuality is one of the thorniest issues that Orthodoxy, as a faith, must face.
Your paragraph about Card's views failing the test are a bit tricky to contend with, because Card (and modern Orthodoxy) basically need to speak on two levels: the level that they believe, i.e. their religious faith, and what they believe other people should/shouldn't believe, i.e. their acceptence of their faith as not obligating those who do not believe in it. I think that's the difference Card's trying to show here, and mostly he's talking about gays within the LDS community. He's saying it's his opinion that homosexuality is bad, that he respects the opinion of those who disagree, but that he sees the opinion that homosexuality is all right as flatly ( ... )
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Certainly there's room to establish more stable supporting characters, and some of those can be gay. But there's a distinct tendency for writers to go, "Oh, a well liked, seemingly stable supporting character! Won't everyone be distressed if we do something to HIM!" Again, doesn't account for complete discrimination, but it has to be borne in mind, and the variety among the gay characters actually sounds substantial.
I'm afraid underhand attempts like heroes from Watchmen (where all the heroes are tragic and screwed up) and snipes at Card which clearly don't belong on the list don't win me much sympathy either. :-/
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Why, after all, was it so surprising that Dumbledore is gay, even to the gay community? Because Rowling did not care to mark him as gay by inserting easily identifiable gay-like characteristics when building his character. Jim Hanson, on the other hand, was probably surprised to find out that Statler and Waldorf are under suspicion of being gay, just because they're two guys who like to hang out together, know each other well and have a developed sense of humor.
The reason that this argument is not a rehash of your argument but is indeed the mirror argument to it, is that those easily identifiable qualities are often positive, like Seinfeld complaining about being mistaken for gay just because he's "white, well-groomed and tidy ( ... )
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