axis powers
hetalia kink meme
part 21
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I'd like to see the situation getting worse and worse and Japan getting more and more desperate as he tries to get to that 1000th crane.
Happy ending, sad ending, romance, whatever. Just make it really sad Anon!
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This was absolutely painful to read (in a good way) but I soldiered through it because it's such a poignant fill and I couldn't tear away. The sense of ambiguity and a brisk approach brought a tear to my eye. The sense of detachment, until the very end, is what makes the whole thing so much more striking.
And this line:
"The next day he wakes to find that he has accidentally destroyed five cranes in his sleep. He holds them and cradles them dearly, mourning their loss."
For whatever reason, it's sticking in my mind and it's probably going to haunt me for a while.
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My heart was beating so fast as I read this and it abruptly stopped at the ending. This fill pained my soul.
You rock, A!A.
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Oh, Japan. The sense of pure helplessness in this...
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...Poor Japan. That is all I can say.
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Also, on a personal note, it's nice to see that I'm not the only one who's had that guilty thought about Sadako's death.
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I thought I was the only one to think that about Sadako's death, too! There's actually an alternative version of her story that says that she did complete 1000 cranes and continued to make more until she died, but the most common version has her die before she gets to 1000 so that's the one I went with.
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I agree this was tastefully done, and I don't find it to be offensive because you only touched lightly on the incidents occurring in Greece without judging it too much; you only described factually what occurred and how Greece, the nation personification, responded to that.
I also liked that you worked in how Japan understood the fragility of human lives, and how sometimes hopes and dreams don't come true (not even for children), no matter how much one wishes for them. Despite that, I liked that a very small subconscious part of him still wants to believe (?) he could be wrong, and that he still folds origami cranes, even if it was something he does because that's all he can do for now. I think scene alone speaks a lot for itself and for Japan as both a nation and as a normal person who still harbours some small form of hope despite all the bleakness of the world economy now ( ... )
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That hopeful ending scene was actually a last-minute addition when I decided that the fill was too bleak overall. It was a bit of a rushed addition and I was afraid that it would be too sentimental (I didn't realize that Japan had been canonly described as "sentimental," so it's a relief to know that my portrayal of him isn't completely OOC), but I'm happy that it seems to work better than my original ending.
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