Yeah, sorry about that. I put it into private mode. Life has been hectic as all get out and every time i went to check my email for stuff for the Theater i'ld get 30 posts in my inbox and it just became a cacophany of cross-chatter. I've got ideas to lend to the convo, but no time to do so. Right now? A fluke, just waiting for the rain to let up a bit.
Oh, before i forget...does you theater have a props/painting/backings sort of internship? Its been on my mind a bit of late. Just cruious. (typo preserved for comic effect)
They do have a props internship and a set/drop painting one as well.
Painting would be a pin up your asshole. Not that you wouldn't learn cool things, I just know what the work schedule and expectations are.
I'd say either go for props or sound. Either one, really. I'd say sound is better, but props is more what you're already doing. You'd be good at either one. Not a lot of model building.
Sound is the more stable option. Props you could spend all year working on things you don't give a crap about, or you could have a hell of a good time. It's a crap shoot, depending on the shows coming up. Sound you'll be doing basically the same things regardless of the shows. It isn't nearly as unpredictable.
Both skill sets, however, are very in demand. You should interview for both and see what you think of the prospects. The more options the better.
My recommendation, though, is to stick to those two. Painting would grate on you, as fun as it would be at the beginning.
Any more thoughts on following up any of these internships? On second thought, the painting one might not be as bad for you as I think. I wouldn't do it, but I'm not you. You might actually like the hours.
A bit. I've been working towards doing essentially that. Well, the scenic painting thing at least. Remind me again how long the internship lasts and when it starts?
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Yeah, sorry about that. I put it into private mode. Life has been hectic as all get out and every time i went to check my email for stuff for the Theater i'ld get 30 posts in my inbox and it just became a cacophany of cross-chatter. I've got ideas to lend to the convo, but no time to do so. Right now? A fluke, just waiting for the rain to let up a bit.
Puts head through wall.
Okay, back to razorsawing my hands off.
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Heh. We've got rain here, too! It's wet!
Do your thing. We'll talk when you have more time.
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They do have a props internship and a set/drop painting one as well.
Painting would be a pin up your asshole. Not that you wouldn't learn cool things, I just know what the work schedule and expectations are.
I'd say either go for props or sound. Either one, really. I'd say sound is better, but props is more what you're already doing. You'd be good at either one. Not a lot of model building.
Sound is the more stable option. Props you could spend all year working on things you don't give a crap about, or you could have a hell of a good time. It's a crap shoot, depending on the shows coming up. Sound you'll be doing basically the same things regardless of the shows. It isn't nearly as unpredictable.
Both skill sets, however, are very in demand. You should interview for both and see what you think of the prospects. The more options the better.
My recommendation, though, is to stick to those two. Painting would grate on you, as fun as it would be at the beginning.
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