452: The little skip into the party... [chuckle] Always loved that bit.
457: Doesn't our CEA look menacing here? Not a man who you want to cross...
471: Nice partner shot.
479 through 497: I always loved Napoleon's final encounter with Shark. The speech there reveals so much the essence of the ever optimistic and extremely idealistic Napoleon. And 487 is an absolutely gorgeous closeup of serious Napoleon.
Look at that gently mussed hair in 502! So adorable!
479 through 497: The man is a master of expression. Even without the dialog, it's a joy to watch him. It's as though he can tell the story with his facial expressions alone.
#452: RV is such a clown sometimes. (I can't wait for the one where he's acting drunk and imitating the belly dancer... he's rather frighteningly good at it! *g*)
#465: Totally OT, but Rockne Tarkington looks really good in whites and shoulder holster. Whoever did the costumes for this one was pretty brilliant.
#471: You have to wonder about Illya's storyline from here on - he's got no official authority, the captain and first mate aren't helping, he's trying to organize and control panicked civilians all by himself, and he has no idea if his partner will get back in time (or at all). And he somehow manages to get everyone safely off the ship... what a guy. *huggles him*
#475-499: Such a moving scene. I can't really comment on it. They're both so good. #497 - *sniffles*
I like Elsa. She's fun, and not a stereotype like so many later Innocents. (She's also very specifically a New Yorker, lol!)
You see, there are two of us now in the Elsa fan club!
I see our blond is casually dressed for the big turkey eat-in. I bet Illya would've killed his partner if they'd have had to have left before said meal got going. He is so easy to please that man. (sighs).
Comments 5
457: Doesn't our CEA look menacing here? Not a man who you want to cross...
471: Nice partner shot.
479 through 497: I always loved Napoleon's final encounter with Shark. The speech there reveals so much the essence of the ever optimistic and extremely idealistic Napoleon. And 487 is an absolutely gorgeous closeup of serious Napoleon.
Look at that gently mussed hair in 502! So adorable!
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#465: Totally OT, but Rockne Tarkington looks really good in whites and shoulder holster. Whoever did the costumes for this one was pretty brilliant.
#471: You have to wonder about Illya's storyline from here on - he's got no official authority, the captain and first mate aren't helping, he's trying to organize and control panicked civilians all by himself, and he has no idea if his partner will get back in time (or at all). And he somehow manages to get everyone safely off the ship... what a guy. *huggles him*
#475-499: Such a moving scene. I can't really comment on it. They're both so good. #497 - *sniffles*
I like Elsa. She's fun, and not a stereotype like so many later Innocents. (She's also very specifically a New Yorker, lol!)
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487 - Stunning, truly stunning!
497 - concern written across his face. Beautiful!
Very much a Napoleon act this. Oh well, what we see of our beautiful blond is pleasing indeed.
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I see our blond is casually dressed for the big turkey eat-in. I bet Illya would've killed his partner if they'd have had to have left before said meal got going. He is so easy to please that man. (sighs).
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