Because I need a little distraction and I want to get a little writing practise even before I start railing against the Yuletide deadline:
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daegaerGive me the premise for a crossover (example: someone in a fairytale meets the devil, who turn out to be Crowley), a fusion (example: Midsomer Murders and Weiss Kreuz fusion: the peaceful English
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Bandom/Chrestomanci: Bob has many lives. This explains a lot.
Alternatively, write me the verse where Kon ended up in Chicago after escaping from Cadmus--let's say he meets Patrick Stump?
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And, you know, you could always write something in that universe yourself (she hints subtly).
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Willow Rosenberg hates prophecies. She hates the way they never make sense until it's too late, the way they're only ever partly true, but it's usually the worst part and most of all, the way they mean that you're destined to always, always make the mistakes you never wanted to.
Anathema's left the book on the table. It has to be deliberate. She's practically surgically attached to that thing, it has to be deliberate that she's left it there where Willow could just walk over and turn over a page and read it.
If she was Buffy, maybe she'd just say screw you to the book and say something about how you don't have to live by someone else's destiny, we can make our own. Or maybe she'd already have gone over there, turned the page and read instead of hovering over here like a complete wuss.
But it's knowledge and ignoring it won't make it go away and it's right there, and if she wasn't meant to know, it wouldn't be, right? That's how fate worked.
Itte shalle all worke out for the befteOh. Huh. Not what she was expecting, but ( ... )
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Perfect for the Willow of that moment.
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Also, Miles has a tendency to draw people to him and Jane isn't madly keen on his team having outside friends...
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