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She Said, He Said: Name of the Doctor Prequel
Spoilers *only* *for* *the* *prequel*
No other spoilers! Promise! Not even the trailers.
Wherein Janie makes wild speculation on the upcoming episode based on the structural mirroring of the prequel... and importantly, where that mirroring breaks down...Who are you
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Comments 21
I love it whenever they pull something this flagrantly . . . literary.
Thank you for the break-down.
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And the only one I'm scared for is River... ETA: OK, no, the TARDIS also. But mostly River.
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However, I'm scared for River given the sacrifice of the Queen in the chess game last episode, and what the Queen chesspiece meant the last time we saw her in The Wedding!
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I'm not sure the Asylum prequel makes a statement about Oswin's mother. The Message is from Darla von Karlson, who concerned about her daughter Hannah -- and of course the presence of the Headless Monk is quite intriguing, but how does that implicate Oswin? Is there something I've missed?
(It's a brilliant prequel, too, just for its employment of the esoteric symbolism we've gotten the last three years!)
And yes, Planet of the Spiders is a very interesting convergence of Western Occultism (the Great Work, the Spiders) and Buddhism (the monastery, the Doctor's philosophy and regeneration, and the K'anpo/Cho-Je ascension) but the Eye of Harmony thingy here isn't a Metebelis Crystal -- though it's certainly implicated.
The blue crystal here was separate from the one the Doctor put on Emma's third eye -- actually, it was visually juxtaposed with *Clara's* third eye. Much more interesting, I think.
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Strangely they are in an impossible place, a storage room of things that should never meet...
Thank you for sharing!
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But, that possibility aside, it definitely looks like a abandoned museum. So possibly the seriously far flung future. And a nod back to the Pandorica which did spend centuries 'waiting' (like the Doctor) only to end up housed as an exhibit.
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They're in the same space, but it's differently arranged. Just slightly. The space is a reflection of where they're at, of the subconscious. And this makes sense, because so much of the show is about reflecting what the characters are repressing -- The Girl Who Waited and The God Complex showed us that in spades.
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Interesting. These are the sort of things I can never seem to spot on my own.
In "Asylum" when we met Oswin, I thought to myself, "Now there's a good strong case for a female Doctor." Now that you've highlighted the echoes of "Midnight" here, I can't help but think, "She's taken his voice." Aslyum!Oswin and Victorian!Clara both come across very Doctor-ish to me. Even when Oswin describes herself, the Doctor assumes she's describing him.
Oswin: Is there a word for total screaming genius that sounds modest and a tiny bit sexy?
Eleven: Doctor. You call me The Doctor.
Oswin: See what you did there?
The "Midnight" comparisons brought that back to the surface of my mind. I can't really make heads or tails out of what it might mean though.
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The other thing to remember, though, is that Moffat's Who in particular goes out of its way "to monster" our heroes. In Series Five, it was the Doctor always being implicated by juxtaposition with monsters. Then we got Auton Rory, and a whole series of Amy being monstered left, right, and center... and of course, Oswin!Dalek is monstered. So Clara's stealing the Doctor's voice as the Midnight creature is another step in that direction, too.
In fact, these things might well be related, given that the Doctor's monstered from the get-go. To become Doctorish, one must also be Monsterish. Hence the Oswin dialogue you quoted!
I'll be paying very close attention to the monsters this weekend.
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-The Girl in the Fireplace-
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