I reread Anathem just recently (so good!). I'm reminded that probably a lot of my love for writing clever people bickering is from Neal Stephenson. He writes about the kind of person I want to be/become/know; for good or for ill, he writes about people like that in Interesting Times. Not a bad role model as writers go. The thing is, as I reread
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I recently watched the anime adaptation of a manga that I really rather like. The manga is, for being essentially a gay romance with heavy BDSM undertones, actually fairly literary, layered and clever. The anime is a huge steaming pile of unresolved mysteries topped off with "someone we thought was good might actually be evil! Or might not be. We're not really sure. The End."
I must admit, I sound horribly lowbrow here, but Anathem sounded fascinating and wonderful to me as a concept yet I had a hard time reading it. I think that because of the vaguely ADD-ish way that I read, there are certain narrative styles that are very difficult for me to get through. It's really a shame. :(
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Speaking of possibly fundamentally unfilmable things, this is probably a good place to mention Alan Moore, who I kind of imagine drinking himself into a stupor every time another of his works that he doesn't own the rights to gets made into a movie. Speaking of deep weirdness connected to a creator's work ...
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I remember reading Charlie and the Great Glass Elevator a few years after Charlie and the Chocolate Factory. It was an extraordinary discovery: I had no idea that Dahl had written a sequel, and I loved it. I reread it last summer, however, and didn't enjoy it nearly as much as I expected to.
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But both works have in some respects aged poorly. I'm okay with that, overall, while still accepting that the heavy-handedness was equal to the task of getting my younger self to notice the editorializing at all.
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