Troubled by my inability to address such a canonical question as how brain chemistry relates to the lived body, I have had several mini-epiphanies as of the last few days. The first relates to my issues with language that I alluded to. By asking the mind-body question in terms of consciousness and physicalism, it becomes virtually impossible for
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One of the great things about the Critique of Judgment is that it is, in so many ways, a brilliant work in the philosophy of science. It succeeds in demonstrating the consequence of the primacy of the practical for Kant: that the Newtonian account of the universe does not stand on its own, it is not self-grounded, but rather it presupposes a non-conceptual background that has the principle of purposiveness as the condition of the ( ... )
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I'm glad you made this post. I've been thinking about this sort of "mind" stuff for months, since it was examined in a philosophy class . . . and been concluding the same sort of thing as you. The issue would then revert to 'Do mental processes really have to do with the total situation of the lived-body?', and I think the answer to that is no.
Jaimie
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At any rate, if you enjoy this kind of thinking you may enjoy the essay "Eye and Mind" by Maurice Merleau-Ponty. I like to think of it as the deep end of the pool, but others disagree. It is primarily about what painting--and art in general--has to show us about the nature of the human relationship to the world.
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My former philosophy prof. was telling me once about a philosopher nearby at Harvard University (I'm in Boston) who writes a lot about aesthetics, art, etc. Since this conversation occured during an elevator ride, it was rather rushed. I can't remember this Harvard philosopher's name! Yikes! (Long shot: do you know who it might be, since you seem to have an interest in the intersection of philosophy and art?) Regardless, there's a lot to read already: I can certainly jump on Merleau-Ponty's essay! I have a book by Nicholas Wolterstorff--Art in Action--that I've begun. He argues that contemporary Western art has divorced itself from practical and everyday life, and that art should serve for more than just contemplation in museums.
Jaimie
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BTW: where is it that you go to school (if you don't mind my asking, that is)?
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