For any who may be interested, I've made a long post over on my
blogspot journal about Derrida and the dominance of historicism in contemporary literary criticism -- or more, accurately, about my own experience of discovering Derrida as an English undergrad/grad at the height of the theory backlash. It should be the first part of a series tracking
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I hadn't realized it, but of course you're right -- one mustn't be too explicitly political, either, and one certainly shouldn't come off as a Marxist unless one is already Frederic Jameson or Terry Eagleton. Actually, I have nothing against New Historicism in itself, so much as I think it's a problem in general that the literary academy tends to impose such a narrow range of acceptable approaches at any given moment, at least for anyone who isn't already an established scholar.
Back in that time when I was a committed Derridean, I was a big fan of Spivak's too! But I haven't read her on New Historicism -- that would be interesting. Actually, she's the translator of Of Grammatology, and I hope to read her long (and I here very useful) ( ... )
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This line really rings true to me as a nice (if slightly tongue-in-cheek) summary of historicist attitudes towards poststructuralism. I'm in a subfield that has a strongly historicist slant, but I never caught the historicist bug myself.
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At the time I thought all the elements were super successful, but I tried rereading some of the Derrida paper the other night and frankly I couldn't figure out what I meant by half of it.
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