In response to my Canada Day excerpting of the White Mice play, I received the following anonymous response from someone in Toronto just this morning:
"…was an attempt to draw in an audience who might otherwise have been resistant to hearing a condemnation of whiteness, but who could benefit the most from it."
Jesus. Of course if such blanket
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-- except then it occurred to me that there is the notion of preventative medicine to keep people from getting sick so that's maybe not the best analogy
but I still lol'd.
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this is the most bizarre comparison i have ever heard. i have to assume that the anon poster knows nothing about your near-constant constructive criticism of misogyny in rap music, or in music in general. but that still doesn't explain the false logic. unless of course, "all whites" is the name of one person, or you are secretly every rap artist ever. ok, the latter is almost believable, i admit.
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But I think it's worth noting that he didn't directly dispute the play at all, just ME.
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http://archives.chbooks.com/online_books/inoculations/white_mice_characters.html
The Actors’ Relationship to the AudienceA good way to think of the predicament of doing the play is to imagine that the production team is from another galaxy and has come to Earth to check things out. Upon arriving the team finds these artificially constructed ‘races’ - not only does the ‘white’ race treat everybody else like shit but they seem for the most part to keep themselves totally deluded about the severity of the situation. Coming to the conclusion that the white people must be mentally retarded, the production team from another galaxy decides to help out by putting on this small play ( ... )
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If you don't have an LJ, you can log in using Facebook or like a dozen other services.
I'll be happy to explain what you don't understand about the construction of race (or anything anyone has said about it so far, including its role in the play) when you come back on an honest tip.
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