So, today I came up with an idea for a novel. The idea itself isn't important or relevant; I come up with an idea everyday for a book, including one notable departure from fiction for a tabletop picture-heavy hardcover about potato chip culture in America. However, what I did with the idea (the one from today, not the potato chip book) is what's
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Interesting idea, let me try to parse my thoughts on this by writing it out.
One real-life situation where you regularly see one person's plot being used by another is ghostwriting for franchises, as in this confession of a Sweet Valley High ghostwriter who is now a professor of literature. (I think I read some of the books by her back in high school. I always suspected something like this was going on, given how the credit was "created by" Francine Pascal.) She describes how Pascal, the creator, gave the writers outlines and style guides which the writers wrote into final products, kind of like frames and parts being assembled into cars. In this context the plot is a factor of production, a means of creating products and not a final product in itself ( ... )
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A few questions: What kinds of buyers are you envisioning? Aspiring professionals who don't know where to get started on their big break, hobbyists looking to save some time, washed-out pros who want to break out of their ruts, writing educators? Is full confidentiality guaranteed, since in an ownership-obsessed culture there could be repercussions for using pre-made plot in professional work? Also, would you disclaim all possible intellectual property claims and make each product a one-sale deal, or do you hold onto some legal rights on the work such as resale rights?
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I believe there is a difference between a good story and a story I should write. All stories that I should write are good, or else I shouldn't write them, but there are stories that I should just leave to others who will write them better and put more of themselves in. This is because there is more to a story than the things you describe offering to sell. There are often deep themes exploring important aspects of the world or the human condition. I don't want to buy your themes; I know my own, or will discover them. I don't know whether it's possible to make my themes work with your plot. I don't know whether I would like to write the themes you would put in. I do know that I could come up with as much of an idea as you describe on my own, and that coming ( ... )
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Here's a thought that might or might not be analogous: I sometimes draw, and I sometimes play Paint-by-Numbers puzzles (nonograms), and my reasons are completely different. It might be fun to challenge myself to write within the constraints of a premade plot, but I've never tried that.
The thing that I'm thinking about now, though, is that there's already a situation where one person comes up with the plot, themes and character dynamics and another does the writing, and in that situation, money changes hands the other way, from the Idea Person to the writer.
I'd be interested to see how it goes if you try this.
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I'd love to come up with a way to market the idea without such secrecy, but I just don't trust people enough. It could be that I'm overly paranoid, though.
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