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That night.]Keira's belly hurts from laughing, her throat hoarse and her mouth set in a permanent grin when she clambers out of Paul's car onto the drive of her building. Nic is usually fairly adept at convincing him to drive them to and from places if neither of them feel like being particularly responsible, and that's most of the time
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"I appreciate the gesture, Mr. Boyd," she says, and it's part facetious, part grateful, and she thinks it comes out just so under the chuckle and the daiquiris and the drooping weight of the daisies held loosely in her hand between their legs.
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She grins and him and makes a show of considering it, and he slides his hands up under her tank top and rests them at the gentle dips of her waist on either side. "Hmmm," she says, and scrunches her forehead up, and Bill twiddles his fingers lightly, not quite tickling. He happens to know that she is very ticklish.
"I brought cake," he points out, and nods toward the box on the floor beside him. "In case that should have an impact on the judges final score."
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"If it's cheesecake I'll blow you on the spot," she announces earnestly. "I don't care if the neighbours complain again."
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"Fuck. Bill, yeah, that's good, that's very good, yeah, yes..."
Her mouth is slack now but her words are soft and mumbled by habit, because she knows she sounds silly dirty-talking for Johnny, no matter what Johnny says, or Nic, or Orlando that one time. It never comes naturally on the prop bed, but she's started to get used to it with Bill, and the words sound less awkward and forced when he's the one begging for them.
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His cock is fucking aching in his dress trousers and his hips are doing that thing they do with her that they've never actually done with anyone else, some sort of gently insistent rocking motion that has nothing to do with anything other than the fact that he can't quite keep them still when she whimpers like this, unselfconsciously needy (he hasn't quite got the hang of unselfconscious yet, but he's getting better); the motion doesn't really provide any friction, only a shifting of the constriction his trousers are inflicting on him, but it's still pretty fucking good, something sultry and harsh about the denial of pressure and pleasure while he listens to her coming apart ( ... )
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There's a tight clench in her belly at the sight, something that's not quite as white-hot as the lust boiling over in her limbs and chest, but something bright (yellow, she feels, buttery and warm) that makes her hold her breath for a second as she reaches for him again. Her fingers curve gently at the back of his neck and he lets her sink down to him, pulling him closer.
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The mindless twisting pleasure of it makes it okay, that it's Keira means that he doesn't need control, because she'll take care of him when he's like this, and the weirdness of the thought (if it can be called a thought at all, it's more like a hectic, blurring confusion of bright, breathlessly fast impressions that light up his brain like lightning flashes, giving unsteady but fearfully intense glimpses and revelations) is enough to make him actually make a sound that he can't pretend isn't a cry, and cannot blame on the pleasure of her mouth or her fingers, at least not entirely ( ... )
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He's flushed and damp and the tight muscles of his thighs jerk under her hand when she climbs over him, walks on all fours until she only just has to drop her head to kiss him. She doesn't though, not yet, settles with her knees on each side of him, the inside of her thighs pressed against the outside of his, both their skin slick and overheated. He's cooling off by miniscule increments but her own fever is just escalading, and her cunt clenches in near painful surprise when he finally moves his hand to her thigh.
"You," she manage out. "Touch me, bring me off. I need to come, Bill." The last words are licked into his ear, panted against his neck, one hand fisting his hair loosely, the other back between her legs or she'll just scream.
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