I had to look up "miniseries" to see what the word meant. Yeah, that's it. Have you seen it? I found the concept very compelling, up until the ending which left me uncomfortably unsatisfied.
It wasn't too hard to spell his name, I just read it off the front of the box. I figure I'll take a look at Dekalog after this, as the artistic direction is so fantastic I'm sure that it'll be similar. I can also rent it for a pound at the library.
The metaphors of colour are very forefront, you're right, but due to the slow plot this grants you time to sit and look at the shot objectively.
I have Mulholand (spelling?) Drive back in Vancouver. On the inside cover of the DVD are "David Lynch's 20 Clues to Unlocking Mulholand Drive". It has things like, "notice the red lampshade, where else is it seen?". Even so, I'm still not certian about what happens in the last third of the film. Do they switch bodies? At least in Lost Highway it was very easy to follow the character(s), and as such I never had any difficulty getting that one.
That's strange. I much prefer Lost Highway to Mulholland Drive, but for precisely the opposite reason. Mulholland Drive makes too much sense and the "key" to all the mysteries is boring as hell. They don't switch bodies at the end. She just wakes up. The first part was a dream. The second part is a flashback, showing you all the things that inspired the dream
( ... )
I think I prefer Lost Highway as well, but for the reason that I had no difficulty understanding it (I also saw it in a really cool theatre). I will begin torrenting Caché today. I know if I really want to see a film I should purchase or rent it, but I am not set up to rent here other then the Library's limited selection (though it continues to surprise me, as it should) and if I purchase a film I will have difficulty viewing it in a months time upon my return to Region 1.
Well, if it's any console to Lynch's integrity - the clues just confused me further.
You're sincere. That's probably one of the major reasons Carlos enjoys your company. On a surface level, friendship is often based upon how often two people agree. It is admirable that you maintain your integrity (I don't want to use this word again, but can't think of a better one right now) in lieu of any... whatever. I just pressed backspace and accidentally shot myself three windows back. This totally destroyed any idea I was developing.
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Yeah, that's it. Have you seen it? I found the concept very compelling, up until the ending which left me uncomfortably unsatisfied.
It wasn't too hard to spell his name, I just read it off the front of the box. I figure I'll take a look at Dekalog after this, as the artistic direction is so fantastic I'm sure that it'll be similar.
I can also rent it for a pound at the library.
The metaphors of colour are very forefront, you're right, but due to the slow plot this grants you time to sit and look at the shot objectively.
I have Mulholand (spelling?) Drive back in Vancouver. On the inside cover of the DVD are "David Lynch's 20 Clues to Unlocking Mulholand Drive". It has things like, "notice the red lampshade, where else is it seen?".
Even so, I'm still not certian about what happens in the last third of the film.
Do they switch bodies?
At least in Lost Highway it was very easy to follow the character(s), and as such I never had any difficulty getting that one.
Reply
Reply
Well, if it's any console to Lynch's integrity - the clues just confused me further.
You're sincere.
That's probably one of the major reasons Carlos enjoys your company.
On a surface level, friendship is often based upon how often two people agree. It is admirable that you maintain your integrity (I don't want to use this word again, but can't think of a better one right now) in lieu of any... whatever.
I just pressed backspace and accidentally shot myself three windows back.
This totally destroyed any idea I was developing.
Reply
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