I'm seriously considering starting a blog about Birmingham's alternative scene-- politically and musically speaking. (Randomly-- I've thought ever since I considered the plethora of weird place names-- seriously, the city centre has a Needless Alley tucked behind the Tescoes-- and bonkers, beautiful street-level geography that there should be a
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I'm not asking this purely because you're in the West Midlands, but do you like the Specials?
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For an embarrassingly long period of time I used to honestly believe that Ghost Town was written about my shit Midlands hometown, not a different shit Midlands town. I was so sad when I learned it was about Coventry, not Dudley. (Ghost Town is for small post-industrial towns around Birmingham what London Calling is to London. It gets played in a club and people fall over themselves to get onto the dancefloor. And it's fucking hard to dance to, too, you can't even do the knees-up ska dancing thing.)
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Do you think earnestly-political 90s music has dated, at all? I still get something from it but I find a lot of it too tied up with the contemporary struggle to which it responded (Criminal Justice Bill, Liverpool dockers, institutionalised racism, anti-bypass tree-hugging) to be more than uncomfortably nostalgic. Obviously Carter were eclectic enough not to fall into this category.
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Do you think earnestly-political 90s music has dated, at all?I don't think it's dated for me, but I might feel different had I personal, political memories of the nineties. I don't remember any of the events they're singing about even if they did happen in my lifetime, so I don't have the uncomfortably nostalgic sense about them. Songs about, say, the Criminal Justice Bill, the Miners' Strike, Liddell Towers, Lewisham '77, the Birmingham Six, Margaret Thatcher, Red Clydeside-- they're all the same to me, because I never heard them the first time around, and don't remember the events they refer to. They move me in the sense I feel connected to the the historical struggle they're on about (god, that's wanky-- you know what I mean), but not in the "I was there, this was a meaningful part of my life" sense ( ... )
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Also yeah, they are a great great band - they probably wouldn't be as good if they were pure hate or pure love. They definitely wouldn't be as good without the dreadful puns (which have been very slow-burning for me EG finally hearing "24 hours from Tulsa" or "By the time I get to Phoenix" ten years after)
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