The New York Times ran a report about a week or so ago about DJ managing moguls. It's contention was that with DJ's garnering more attention then some of the attendees at the events, having a manager was almost of a necessity. They interviewed two of New York City's most prominent managers, Rich Kleinman and Damon Degraff, who between them manage
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In the music business now though, it's often more cut-throat then ever. With record companies looking for new ways to profit off of their artists, cutting a deal takes super star legal backing. By the time you've forked over 20 percent to your manager, another 20 to the lawyer and whatever else the record company takes you better be in it for the art and not the money.
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It's all work and no play but I put the comma with a space in there now for you.
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