implicit in the sage are acts that mark the arrow; they mix deep thought with the shallows, a presence from which he pontificates on life’s time of death. and all at the hands of a language that has quit on him
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I lost my body to remakes: history’s joyless stories were powered by man’s sex-wounds, privates without the pubic sense to originate their own worlds
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horny moths are the pains in the asses of narrow oval ends that remember the ashes on the head of a burned out Christ who was crowned King of the Thistles
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